Counties of England - Culture

Culture

There is no well established series of official symbols or flags covering all the counties. From 1889 the newly-created county councils could apply to the College of Arms for coats of arms, often incorporating traditional symbols associated with the county. This practice continued as new county councils were created in 1965 and 1974. However these armorial bearings belong to the incorporated body of the county council and not to the geographic area of the counties themselves. As county councils have been abolished, and unitary authorities have been carved out, these symbols become obsolete or effectively no longer represent the whole ceremonial county. A recent series of flags, of varying levels of official adoption, have been established in many of the counties by competition or public poll. County days are a recent innovation in some areas.

There are seventeen first-class county cricket teams that are based on historic English counties. They are Derbyshire, Durham, Essex, Gloucestershire, Hampshire, Kent, Lancashire, Leicestershire, Middlesex, Northamptonshire, Nottinghamshire, Somerset, Surrey, Sussex, Warwickshire, Worcestershire and Yorkshire. There are also nineteen minor county teams. They are Bedfordshire, Berkshire, Buckinghamshire, Cambridgeshire, Cheshire, Cornwall, Cumberland, Devon, Dorset, Herefordshire, Hertfordshire, Lincolnshire, Norfolk, Northumberland, Oxfordshire, Shropshire, Staffordshire, Suffolk and Wiltshire. The county football associations are roughly based on English counties, with exceptions such as the combinations of Berkshire and Buckinghamshire and Leicestershire and Rutland.

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    When we want culture more than potatoes, and illumination more than sugar-plums, then the great resources of a world are taxed and drawn out, and the result, or staple production, is, not slaves, nor operatives, but men,—those rare fruits called heroes, saints, poets, philosophers, and redeemers.
    Henry David Thoreau (1817–1862)

    Insolent youth rides, now, in the whirlwind. For those modern iconoclasts who are without culture possess, apparently, all the courage.
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    Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.
    Herbert J. Gans (b. 1927)