Reception
Upon its initial release, Bosley Crowther wrote an NYT Critic's Pick review, saying "what elevates this brutal picture above the ruck of prison films and into the range of intelligent contemplation of the ironies of life is a sharp script by Donn Pearce and Frank R. Pierson, ruthlessly realistic and plausible staging and directing by a new man, Stuart Rosenberg, and splendid acting by Paul Newman and a totally unfaultable cast"; besides Newman, Crowther commended Kennedy's "powerfully obsessive" depiction of the "top-dog who handles things his way as effectively and finally as destructively as does the warden or the guards" and Jo Van Fleet, "who, in one scene, in which she comes to visit him propped up in the back of a truck, does as much to make us comprehend the background and the emotional hang-up of the loner as might have been done in the entire length of a good film." Variety magazine said the "versatile and competent cast maintains interest throughout rambling exposition to a downbeat climax."
The Toronto Star, in a 2007 home video review, said the film's anti-establishment message fit well with the mood of the 1960s. All of the forty-four reviewers on Rotten Tomatoes, including six top critics, gave the film a positive review, generating a 100% 'Fresh' rating.
Read more about this topic: Cool Hand Luke
Famous quotes containing the word reception:
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
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“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
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