Tone
The EE♭ sarrusophone has the tone of a reedy contrabass saxophone, while the CC sarrusophone sounds much like the contrabassoon. The BB♭ contrabass sarrusophone is the lowest of the sarrusophones, and was the lowest-pitched wind instrument until the invention of the EEE♭ octocontra-alto and the BBB♭ octocontrabass clarinets, and the BB♭ subcontrabass tubax. Contrabass sarrusophones come in two bore widths: big pipes, which sound mellower and softer, but are still reedy; and small pipes, which are extremely reedy.
All contrabass sarrusophones, except for the CC contrabass, are transposing instruments.
The contrabass sarrusophone is sometimes confused with the reed contrabass, to which it bears a superficial resemblance.
Read more about this topic: Contrabass Sarrusophone
Famous quotes containing the word tone:
“Our medieval historians who prefer to rely as much as possible on official documents because the chronicles are unreliable, fall thereby into an occasionally dangerous error. The documents tell us little about the difference in tone which separates us from those times; they let us forget the fervent pathos of medieval life.”
—Johan Huizinga (1872–1945)
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)
“Eloquence resides as much in the tone of voice, in the eyes, and in the expression of the face, as in the choice of words.”
—François, Duc De La Rochefoucauld (1613–1680)