Works
The Continental Op made his debut in an October 1923 issue of Black Mask, making him one of the earliest hard-boiled private detective characters to appear in the pulp magazines of the early twentieth century. He appeared in 36 short stories, all but two of which appeared in Black Mask.
In 1927, Hammett began writing linked stories, which formed the basis for his first two novels, Red Harvest and The Dain Curse, both released in 1929. Two other stories, "The Big Knockover" and "$106,000 Blood Money" were published as Blood Money in 1943. Hammett also wrote a two-story sequence in the summer of 1924 consisting of "The House in Turk Street" and "The Girl with the Silver Eyes." These were recently published (along with The Dain Curse, The Glass Key, and Blood Money) in a Modern Library edition, though they are not officially called a novel as was Blood Money.
Of the 28 stories not a part of Red Harvest or The Dain Curse, 26 are available in one of three collections from Vintage Crime, The Big Knockover (1966), The Continental Op (1974), and Nightmare Town (1999), and/or the Library of America collection Crime Stories and Other Writings (2001).
A number of collections of Hammett stories, both books collecting Continental Op stories (The Continental Op, The Return of the Continental Op) and others with miscellaneous Hammett stories, were published as Dell mapbacks. These collections all contained introductory essays by Ellery Queen. A more recent edition contains an astute short introduction by Columbia professor Steven Marcus.
In 1978, The Dain Curse was made into a six-hour CBS television miniseries starring James Coburn. For the miniseries, the Op was named Hamilton Nash (his creator's name spelled "sideways.")
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Famous quotes containing the word works:
“Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.”
—Josiah Royce (1855–1916)
“The discovery of Pennsylvania’s coal and iron was the deathblow to Allaire. The works were moved to Pennsylvania so hurriedly that for years pianos and the larger pieces of furniture stood in the deserted houses.”
—For the State of New Jersey, U.S. public relief program (1935-1943)
“That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (1802–1880)