Works
The Continental Op made his debut in an October 1923 issue of Black Mask, making him one of the earliest hard-boiled private detective characters to appear in the pulp magazines of the early twentieth century. He appeared in 36 short stories, all but two of which appeared in Black Mask.
In 1927, Hammett began writing linked stories, which formed the basis for his first two novels, Red Harvest and The Dain Curse, both released in 1929. Two other stories, "The Big Knockover" and "$106,000 Blood Money" were published as Blood Money in 1943. Hammett also wrote a two-story sequence in the summer of 1924 consisting of "The House in Turk Street" and "The Girl with the Silver Eyes." These were recently published (along with The Dain Curse, The Glass Key, and Blood Money) in a Modern Library edition, though they are not officially called a novel as was Blood Money.
Of the 28 stories not a part of Red Harvest or The Dain Curse, 26 are available in one of three collections from Vintage Crime, The Big Knockover (1966), The Continental Op (1974), and Nightmare Town (1999), and/or the Library of America collection Crime Stories and Other Writings (2001).
A number of collections of Hammett stories, both books collecting Continental Op stories (The Continental Op, The Return of the Continental Op) and others with miscellaneous Hammett stories, were published as Dell mapbacks. These collections all contained introductory essays by Ellery Queen. A more recent edition contains an astute short introduction by Columbia professor Steven Marcus.
In 1978, The Dain Curse was made into a six-hour CBS television miniseries starring James Coburn. For the miniseries, the Op was named Hamilton Nash (his creator's name spelled "sideways.")
Read more about this topic: Continental Op
Famous quotes containing the word works:
“It [Egypt] has more wonders in it than any other country in the world and provides more works that defy description than any other place.”
—Herodotus (c. 484424 B.C.)
“... no one who has not been an integral part of a slaveholding community, can have any idea of its abominations.... even were slavery no curse to its victims, the exercise of arbitrary power works such fearful ruin upon the hearts of slaveholders, that I should feel impelled to labor and pray for its overthrow with my last energies and latest breath.”
—Angelina Grimké (18051879)
“I divide all literary works into two categories: Those I like and those I dont like. No other criterion exists for me.”
—Anton Pavlovich Chekhov (18601904)