Contemporary hit radio (also known as CHR, Contemporary Hits, Hit List, Current Hits, Hit Music, Top 40, or Pop Radio) is a radio format that is common in the United States, United Kingdom, Canada and Australia that focuses on playing current and recurrent popular music as determined by the Top 40 music charts. There are several subcategories, dominantly focusing on rock, pop, or urban music. Used alone, CHR most often refers to the CHR/pop format. The term Contemporary Hit Radio was coined in the early 1980s by Radio & Records magazine to designate Top 40 stations which continued to play hits from all musical genres as pop music splintered into Adult contemporary, urban contemporary and other formats. The term Top 40 is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modified to describe Top 50; Top 30; Top 20; Top 10; Hot 100 (each with its number of songs) and Hot Hits radio formats, but carrying more or less the same meaning and having the same creative point of origin with Todd Storz as further refined by Gordon McLendon as well as Bill Drake. The format became especially popular in the sixties as radio stations constrained disc jockeys to numbered play lists in the wake of the payola scandal.
Famous quotes containing the words contemporary, hit and/or radio:
“Anyone who has invented a better mousetrap, or the contemporary equivalent, can expect to be harassed by strangers demanding that you read their unpublished manuscripts or undergo the humiliation of public speaking, usually on remote Midwestern campuses.”
—Barbara Ehrenreich (b. 1941)
“The self-consciousness of Pine Ridge manifests itself at the village’s edge in such signs as “Drive Keerful,” “Don’t Hit Our Young ‘uns,” and “You-all Hurry Back”Mlocutions which nearly all Arkansas hill people use daily but would never dream of putting in print.”
—Administration in the State of Arka, U.S. public relief program (1935-1943)
“There was a girl who was running the traffic desk, and there was a woman who was on the overnight for radio as a producer, and my desk assistant was a woman. So when the world came to an end, we took over.”
—Marya McLaughlin, U.S. television newswoman. As quoted in Women in Television News, ch. 3, by Judith S. Gelfman (1976)