Contemporary hit radio (also known as CHR, Contemporary Hits, Hit List, Current Hits, Hit Music, Top 40, or Pop Radio) is a radio format that is common in the United States, United Kingdom, Canada and Australia that focuses on playing current and recurrent popular music as determined by the Top 40 music charts. There are several subcategories, dominantly focusing on rock, pop, or urban music. Used alone, CHR most often refers to the CHR/pop format. The term Contemporary Hit Radio was coined in the early 1980s by Radio & Records magazine to designate Top 40 stations which continued to play hits from all musical genres as pop music splintered into Adult contemporary, urban contemporary and other formats. The term Top 40 is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modified to describe Top 50; Top 30; Top 20; Top 10; Hot 100 (each with its number of songs) and Hot Hits radio formats, but carrying more or less the same meaning and having the same creative point of origin with Todd Storz as further refined by Gordon McLendon as well as Bill Drake. The format became especially popular in the sixties as radio stations constrained disc jockeys to numbered play lists in the wake of the payola scandal.
Famous quotes containing the words contemporary, hit and/or radio:
“Every American poet feels that the whole responsibility for contemporary poetry has fallen upon his shoulders, that he is a literary aristocracy of one.”
—W.H. (Wystan Hugh)
“A really tight friendship is when you start to really care about the person. If he gets sick, you kind of start worrying about him—or if he gets hit by a car. An everyday friend, you say, I know that kid, he’s all right, and you don’t really think much of him. But a close friend you worry about more than yourself. Well, maybe not more, but about the same.”
—Anonymous Fifteen-Year-Old Boy. As quoted in Children’s Friendships by Zick Rubin, ch. 3 (1980)
“Having a thirteen-year-old in the family is like having a general-admission ticket to the movies, radio and TV. You get to understand that the glittering new arts of our civilization are directed to the teen-agers, and by their suffrage they stand or fall.”
—Max Lerner (b. 1902)