Writing
He still tried to find time to publish more of his work. In 1647 a number of Huygens' musical creations, Pathodia sacra et profana, was published in Paris. It contained some compositions in Latin on the words of psalms in French, and Italian amorous worldly texts. The work was dedicated to the pretty niece, Utricia Ogle, of an English diplomat.
In 1648 Huygens wrote Twee ongepaerde handen for a harpsichord. This work was connected with Marietje Casembroot, a twenty-five-year-old harpsichord player, with whom he could share his love for music.
In 1657 the collected work of his Dutch poems, the Koren-bloemen appears. Some of its contents contain: Heilighe Daghen (1645), Ooghen-troost (1647), Hofwijck (1653) and Trijntje Cornelis (1653). This last work, Trijntje Cornelis, is an explosion of Huygens' creativity. It testifies to the rare language - and expressive capacity - of the author. Considering that the piece was written in a rather short time, it can be considered work of an enormous performance. Since his mother Suzanna was from Antwerp, he visited there often and Trijntje Cornelis takes place in Antwerp.
In 1660 his daughter Suzanna married her cousin, Philips Doublet, son of Huygens' sister Geertruijd. In 1661, a grandfather by now, Huygens was sent to France by the circle of tutors of William III, to recover possession of the county of Orange. The county was returned to the family of Orange-Nassau in 1665 and Huygens returned to the Netherlands.
On his return, Huygens designed the new sand road in The Hague, running through the dunes to Scheveningen. He had already planned this road in 1653, and wrote about it in his work the Zee-straet. The road was made according to Huygens' design.
In 1676 the second edition of the Koren-bloemen appeared, a collected work containing 27 books. New in this edition were the Zee-straet, the Mengelingh (a section of serious poems written after 1657) and seven books with snel-dichten (quick poems). As he was older now, Huygens found refuge in music. He wrote around 769 compositions during his lifetime.
Read more about this topic: Constantijn Huygens
Famous quotes containing the word writing:
“The writing of a poem is like a child throwing stones into a mineshaft. You compose first, then you listen for the reverberation.”
—James Fenton (b. 1949)
“I cannot express the pleasure I have in writing down my thoughts [in her journal], at the very moment—my opinion of people when I first see them, and how I alter, or how confirm myself in it—and I am much deceived in my foresight, if I shall not have very great delight in reading this living proof of my manner of passing my time, my sentiments, my thoughts of people I know, and a thousand other things in future.”
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“In the learned journal, in the influential newspaper, I discern no form; only some irresponsible shadow; oftener some monied corporation, or some dangler, who hopes, in the mask and robes of his paragraph, to pass for somebody. But through every clause and part of speech of the right book I meet the eyes of the most determined men; his force and terror inundate every word: the commas and dashes are alive; so that the writing is athletic and nimble,—can go far and live long.”
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