Literary Significance and Criticism
The book was generally very well received as a fast-paced space opera with a morally ambiguous hero and lots of grand scenery and devices.
Banks said in an interview:
'There's a big war going on in, and various individuals and groups manage to influence its outcome. But even being able to do that doesn't ultimately change things very much. At the book's end, I have a section pointing this out by telling what happened after the war, which was an attempt to pose the question, 'What was it all for?' I guess this approach has to do with my reacting to the cliché of SF's 'lone protagonist.' You know, this idea that a single individual can determine the direction of entire civilizations. It's very, very hard for a lone person to do that. And it sets you thinking what difference, if any, it would have made if Jesus Christ, or Karl Marx or Charles Darwin had never been. We just don't know.'
Read more about this topic: Consider Phlebas
Famous quotes containing the words literary, significance and/or criticism:
“... my last work is no sooner on the stands than letters come, suggesting a subject. The grandmothers of strangers are crying from the grave, it seems, for literary recognition; it is bewildering, the number of salty grandfathers, aunts and uncles that languish unappreciated.”
—Catherine Drinker Bowen (1897–1973)
“Politics is not an end, but a means. It is not a product, but a process. It is the art of government. Like other values it has its counterfeits. So much emphasis has been placed upon the false that the significance of the true has been obscured and politics has come to convey the meaning of crafty and cunning selfishness, instead of candid and sincere service.”
—Calvin Coolidge (1872–1933)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)