Conning Tower - Surface Ships

Surface Ships

On surface ships, the conning tower was a feature of all battleships and armored cruisers from about 1860 to the early years of World War II. Located at the front end of the superstructure, the conning tower was a heavily-armored cylinder, with tiny slit windows on three sides providing a reasonable field of view. Designed to shield just enough personnel and devices for navigation during battles, its interior was cramped and basic, with little more than engine order telegraphs, speaking tubes or telephones, and perhaps a steering wheel. At all other times than during battles, the ship would be navigated from the bridge instead. Conning towers were used by the French on their floating batteries at the Battle of Kinburn. They were then fitted to the first ironclad the French battleship La Gloire. The first Royal Navy conning tower appeared on HMS Warrior which had 3 inches of armour.

In the Royal Navy (RN), the conning tower became a massive structure reaching weights of hundreds of tons on the Admiral class battlecruiser (such as Hood), and formed part of a massive armoured citadel (superstructure) on the mid-1920s Nelson-class battleships which had armour over a foot thick. The King George V class, in contrast to the Nelson class had comparatively light conning tower protection with 4.5 inches sides, 3 inch front and rear, and 2 inch roof and deck. The RN's analysis of World War I combat revealed that command personnel were unlikely to utilize an armoured conning tower, preferring the superior visibility of unarmoured bridge positions. Older RN battleships that were reconstructed with new superstructures, had their heavily armoured conning towers removed and replaced with much lighter structures. These new conning towers were also placed much higher in the ship, for superior visibility. There is no evidence that RN captains and admirals utilized the armoured conning towers on those ships that did have them during World War II and Captain Kerr and Admiral Holland fought the Hood, for example, from her unarmoured bridge. Even in the USN, battleship captains and admirals preferred to use the unarmoured bridge positions during combat.

The United States Navy had mixed opinions of the conning tower, pointing out that its weight, high above the ship's center of gravity, did not contribute directly to fighting ability. Beginning in the late 1930s, as radar surpassed visual sighting as the primary method of detecting other ships, battleships began reducing or eliminating the conning tower. The battle of Guadalcanal during World War II briefly slowed this trend: when the Japanese battleship Kirishima hit South Dakota (BB-57) on the superstructure, many exposed crewmen were killed or wounded yet Captain Gatch declined to use South Dakota's armoured conning tower during the battle. Even that demonstration, however, did not halt the trend, and soon the heavy battleship conning towers were removed from USS Pennsylvania (BB-38), Tennessee (BB-43), California (BB-44), and West Virginia (BB-48), during their post-Pearl Harbor attack reconstructions and replaced with much lighter cruiser-style conning towers.

By the end of World War II, US ships were designed with expanded weather bridges enclosing the armored conning towers. On Iowa-class battleships, the conning tower is a vertical armor-plated cylinder with slit windows located in the middle of the bridge, climbing from deck 03 all the way up to the flying bridge on 05.

With the demise of battleships after World War II, along with the advent of missiles and nuclear weapons during the Cold War, modern warships no longer feature conning towers.

Read more about this topic:  Conning Tower

Famous quotes containing the words surface and/or ships:

    All forms of beauty, like all possible phenomena, contain an element of the eternal and an element of the transitory—of the absolute and of the particular. Absolute and eternal beauty does not exist, or rather it is only an abstraction creamed from the general surface of different beauties. The particular element in each manifestation comes from the emotions: and just as we have our own particular emotions, so we have our own beauty.
    Charles Baudelaire (1821–1867)

    The ships we sank with women and children aboard. The lifeboats we shelled. Mmm ... we were good at that.
    Emeric Pressburger (1902–1988)