Conceptual Art - Further Reading

Further Reading

Books, by year of publication:

• Ermanno Migliorini, Conceptual Art, Florence: 1971
• Klaus Honnef, Concept Art, Cologne: Phaidon, 1972
• Ursula Meyer, ed., Conceptual Art, New York: Dutton, 1972
• Lucy R. Lippard, Six Years: the Dematerialization of the Art Object From 1966 to 1972. 1973. Berkeley: University of California Press, 1997.
• Gregory Battcock, ed., Idea Art: A Critical Anthology, New York: E. P. Dutton, 1973
• Juan Vicente Aliaga & José Miguel G. Cortés, ed., Arte Conceptual Revisado/Conceptual Art Revisited, Valencia: Universidad Politécnica de Valencia, 1990
• Thomas Dreher, Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976 (Thesis Ludwig-Maximilians-Universität, München), Frankfurt am Main: Peter Lang, 1992
• Robert C. Morgan, Conceptual Art: An American Perspective, Jefferson, NC/London: McFarland, 1994
• Robert C. Morgan, Art into Ideas: Essays on Conceptual Art, Cambridge et al.: Cambridge University Press, 1996
• Tony Godfrey, Conceptual Art, London: 1998
• Alexander Alberro & Blake Stimson, ed., Conceptual Art: A Critical Anthology, Cambridge, Mass., London: MIT Press, 1999
• Michael Newman & Jon Bird, ed., Rewriting Conceptual Art, London: Reaktion, 1999
• Anne Rorimer, New Art in the 60s and 70s: Redefining Reality, London: Thames & Hudson, 2001
• Peter Osborne, Conceptual Art (Themes and Movements), Phaidon, 2002 (See also the external links for Robert Smithson)
• Alexander Alberro. Conceptual art and the politics of publicity. MIT Press, 2003.
• Michael Corris, ed., Conceptual Art: Theory, Practice, Myth, Cambridge, Mass.,: Cambridge University Press, 2004
• Daniel Marzona, Conceptual Art, Cologne: Taschen, 2005
• John Roberts, The Intangibilities of Form: Skill and Deskilling in Art After the Readymade, London and New York: Verso Books, 2007
• Peter Goldie and Elisabeth Schellekens, Who's afraid of conceptual art?, Abingdon : Routledge, 2010. - VIII, 152 p. : ill. ; 20 cm ISBN 0-415-42281-7 hbk : ISBN 978-0-415-42281-9 hbk : ISBN 0-415-42282-5 pbk : ISBN 978-0-415-42282-6 pbk

Exhibition catalogues:

• January 5–31, 1969, exh.cat., New York: Seth Siegelaub, 1969
• When Attitudes Become Form, exh.cat., Bern: Kunsthalle Bern, 1969
• 557,087, exh.cat., Seattle: Seattle Art Museum, 1969
• Konzeption/Conception, exh.cat., Leverkusen: Städt. Museum Leverkusen et al., 1969
• Conceptual Art and Conceptual Aspects, exh.cat., New York: New York Cultural Center, 1970
• Art in the Mind, exh.cat., Oberlin, Ohio: Allen Memorial Art Museum, 1970
• Information, exh.cat., New York: Museum of Modern Art, 1970
• Software, exh.cat., New York: Jewish Museum, 1970
• Situation Concepts, exh.cat., Innsbruck: Forum für aktuelle Kunst, 1971
• Art conceptuel I, exh.cat., Bordeaux: capcMusée d’art contemporain de Bordeaux, 1988
• L'art conceptuel, exh.cat., Paris: ARC–Musée d’Art Moderne de la Ville de Paris, 1989
• Christian Schlatter, ed., Art Conceptuel Formes Conceptuelles/Conceptual Art Conceptual Forms, exh.cat., Paris: Galerie 1900–2000 and Galerie de Poche, 1990
• Reconsidering the Object of Art: 1965-1975, exh.cat., Los Angeles: Museum of Contemporary Art, 1995
• Global Conceptualism: Points of Origin, 1950s-1980s, exh.cat., New York: Queens Museum of Art, 1999
• Open Systems: Rethinking Art c. 1970, exh.cat., London: Tate Modern, 2005
• Light Years: Conceptual Art and the Photograph 1964–1977, exh.cat., Chicago: Art Institute of Chicago, 2011