Design
The Computer Modern typefaces are described in great detail (including full source code) in the book Computer Modern Typefaces, volume E in the Computers and Typesetting series, which is unique in the history of font design: in Knuth's words, they "belong to the class of sets of books that describe precisely their own appearance."
As implied by the name, Computer Modern is a modern font. Modern, or "Didone", fonts have high contrast between thick and thin elements, and their axis of "stress" or thickening is perfectly vertical. Computer Modern, specifically, is based on Monotype Modern 8a, and like its immediate model it has a large x-height relative to the length of ascenders and descenders.
The most unusual characteristic of Computer Modern, however, is the fact that it is a complete type family designed with the Metafont system. The Computer Modern source files are governed by 62 distinct parameters, controlling the widths and heights of various elements, the presence of serifs or old-style numerals, whether dots such as the dot on the "i" are square or rounded, and the degree of "superness" in the bowls of lowercase letters such as "g" and "o". Computer Modern is by no means the only Metafont-designed typeface, but it is by far the most mature and widely used.
Read more about this topic: Computer Modern
Famous quotes containing the word design:
“Westerners inherit
A design for living
Deeper into matter—
Not without due patter
Of a great misgiving.”
—Robert Frost (1874–1963)
“If I knew for a certainty that a man was coming to my house with the conscious design of doing me good, I should run for my life ... for fear that I should get some of his good done to me,—some of its virus mingled with my blood.”
—Henry David Thoreau (1817–1862)
“I begin with a design for a hearse.
For Christ’s sake not black—
nor white either—and not polished!
Let it be weathered—like a farm wagon—”
—William Carlos Williams (1883–1963)