Early Work
Work considered foundational to the discipline of Comparative Literature include Transylvanian Hungarian Hugo Meltzl de Lomnitz's scholarship, also the founding editor of the journal Acta Comparationis Litterarum Universarum (1877) and Irish scholar H.M. Posnett's Comparative Literature (1886). However, antecedents can be found in the ideas of Johann Wolfgang von Goethe in his vision of "world literature" (Weltliteratur) and Russian Formalists credited Alexander Veselovsky with laying the groundwork for the discipline. Viktor Zhirmunsky, for instance, referred to Veselovsky as "the most remarkable representative of comparative literary study in Russian and European scholarship of the nineteenth century" (Zhirmunsky qtd. in Rachel Polonsky, English Literature and the Russian Aesthetic Renaissance ; see also David Damrosch During the late 19th century, comparatists such as Fyodor Buslaev were chiefly concerned with deducing the purported Zeitgeist or "spirit of the times", which they assumed to be embodied in the literary output of each nation. Although many comparative works from this period would be judged chauvinistic, Eurocentric, or even racist by present-day standards, the intention of most scholars during this period was to increase the understanding of other cultures, not to assert superiority over them (although politicians and others from outside the field used their works for this purpose).
Read more about this topic: Comparative Literature
Famous quotes containing the words early and/or work:
“...to many a mothers heart has come the disappointment of a loss of power, a limitation of influence when early manhood takes the boy from the home, or when even before that time, in school, or where he touches the great world and begins to be bewildered with its controversies, trade and economics and politics make their imprint even while his lips are dewy with his mothers kiss.”
—J. Ellen Foster (18401910)
“Writing is not like painting where you add. It is not what you put on the canvas that the reader sees. Writing is more like a sculpture where you remove, you eliminate in order to make the work visible. Even those pages you remove somehow remain.”
—Elie Wiesel (b. 1928)