In Culture
The Kestrel is sometimes seen, like other birds of prey, as a symbol of the power and vitality of nature. In "Into Battle" (1915), the war poet Julian Grenfell invokes the superhuman characteristics of the Kestrel among several birds, when hoping for prowess in battle:
"The kestrel hovering by day,
And the little owl that call at night,
Bid him be swift and keen as they,
As keen of ear, as swift of sight."
Gerard Manley Hopkins (1844–1889) writes on the kestrel in his poem The Windhover, exalting in their mastery of flight and their majesty in the sky.
"I caught this morning morning's minion, king-
dom of daylight's dauphin, dapple-dawn-drawn Falcon, in his riding"
Archaic names for the kestrel include windhover and windfucker, due to its habit of beating the wind (hovering in air).
A kestrel is also one of the main characters in The Animals of Farthing Wood.
Read more about this topic: Common Kestrel
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“The best hopes of any community rest upon that class of its gifted young men who are not encumbered with large possessions.... I now speak of extensive scholarship and ripe culture in science and art.... It is not large possessions, it is large expectations, or rather large hopes, that stimulate the ambition of the young.”
—Rutherford Birchard Hayes (1822–1893)
“The aggregate of all knowledge has not yet become culture in us. Rather it would seem as if, with the progressive scientific penetration and dissection of reality, the foundations of our thinking grow ever more precarious and unstable.”
—Johan Huizinga (1872–1945)