"Coming Out" Applied To Non-LGBT Contexts
In political, casual, or even humorous contexts, "coming out" means by extension the self-disclosure of a person's secret behaviors, beliefs, affiliations, tastes, and interests that may cause astonishment or bring shame. Some examples include: "coming out as an alcoholic", "coming out as a conservative", "coming out as multiple", "coming out of the broom closet" (as a witch), and "coming out about plastic surgery" and coming out as a BDSM participant.
With its associated metaphors, the figure of speech has also been extended to atheism, e.g., "coming out as an atheist." A public awareness initiative for freethought and atheism, entitled the "Out Campaign", makes ample use of the "out" metaphor. This campaign is endorsed by prominent atheist Richard Dawkins, who states "there is a big closet population of atheists who need to 'come out.' "
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Famous quotes containing the words coming out, coming, applied and/or contexts:
“Coming out, all the way out, is offered more and more as the political solution to our oppression. The argument goes that, if people could see just how many of us there are, some in very important places, the negative stereotype would vanish overnight. ...It is far more realistic to suppose that, if the tenth of the population that is gay became visible tomorrow, the panic of the majority of people would inspire repressive legislation of a sort that would shock even the pessimists among us.”
—Jane Rule (b. 1931)
“A funeral is not death, any more than baptism is birth or marriage union. All three are the clumsy devices, coming now too late, now too early, by which Society would register the quick motions of man.”
—E.M. (Edward Morgan)
“Those who dare to interpret God’s will must never claim Him as an asset for one nation or group rather than another. War springs from the love and loyalty which should be offered to God being applied to some God substitute, one of the most dangerous being nationalism.”
—Robert Runcie (b. 1921)
“The “text” is merely one of the contexts of a piece of literature, its lexical or verbal one, no more or less important than the sociological, psychological, historical, anthropological or generic.”
—Leslie Fiedler (b. 1917)