Comic Opera

Comic opera denotes a sung dramatic work of a light or comic nature, usually with a happy ending.

Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, opera buffa, emerged as an alternative to opera seria. It quickly made its way to France, where it became opéra bouffon, and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner.

The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include Viennese operetta, German singspiel, Spanish zarzuela, Russian comic opera, English ballad opera, and Savoy Opera.

Read more about Comic Opera:  Italian Comic Opera, French opéra Comique and opérette, German singspiel and Viennese operetta, Spanish zarzuela, English Light Opera, Russian Comic Opera, North American Operetta

Famous quotes containing the words comic and/or opera:

    A guide book is addressed to those who plan to follow the traveler, doing what he has done, but more selectively. A travel book, in its purest, is addressed to those who do not plan to follow the traveler at all, but who require the exotic or comic anomalies, wonders and scandals of the literary form romance which their own place or time cannot entirely supply.
    Paul Fussell (b. 1924)

    The Opera is obviously the first draft of a fine spectacle; it suggests the idea of one.
    —Jean De La Bruyère (1645–1696)