Comic opera denotes a sung dramatic work of a light or comic nature, usually with a happy ending.
Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, opera buffa, emerged as an alternative to opera seria. It quickly made its way to France, where it became opéra bouffon, and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner.
The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include Viennese operetta, German singspiel, Spanish zarzuela, Russian comic opera, English ballad opera, and Savoy Opera.
Read more about Comic Opera: Italian Comic Opera, French opéra Comique and opérette, German singspiel and Viennese operetta, Spanish zarzuela, English Light Opera, Russian Comic Opera, North American Operetta
Famous quotes containing the words comic and/or opera:
“Of course, the comic figure in all this is the long-suffering Mr. Wilkes. Mr. Wilkes—who can’t be mentally faithful to his wife and won’t be unfaithful to her technically.”
—Sidney Howard (1891–1939)
“The opera house sparkled with tiers
And tiers of eyes, like mine enlarged by belladonna,”
—James Merrill (b. 1926)