Comfortably Numb - Composition

Composition

The verses are composed in the key of B minor, while the chorus is in the key of D major. The song is one of two tracks on The Wall which are free-standing and do not fade into or out of an adjacent track. (The other free-standing song is "Mother".) This is because on the original LP there was a hiatus of the music as side 3 of the album finished. This is also the longest song on the album at 6:21, followed by "Mother", which is 5:32.

According to Rolling Stone, the lyrics came from Roger Waters' experience when he was injected with tranquilizers for stomach cramps by a doctor prior to playing a Pink Floyd show in Philadelphia on the band's 1977 In the Flesh tour. "That was the longest two hours of my life," Waters said, "trying to do a show when you can hardly lift your arm." The experience gave him the idea which eventually became the lyrics to this song.

Waters and Gilmour disagreed about how to record the song as Gilmour preferred a more grungy style for the verses. In the end, Waters' preferred opening to the song and Gilmour's final solo were used on the album. Gilmour would later say, "We argued over "Comfortably Numb" like mad. Really had a big fight, went on for ages." For the backing of Gilmour's vocal section, he and session player Lee Ritenour used a pair of high-strung acoustic guitars (i.e. just the treble strings from a 12-string guitar), a tuning also used for the intro to "Hey You").

Read more about this topic:  Comfortably Numb

Famous quotes containing the word composition:

    Every thing in his composition was little; and he had all the weaknesses of a little mind, without any of the virtues, or even the vices, of a great one.
    Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)

    Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.
    James Boswell (1740–1795)

    It is my PRIDE, my damn’d, native, unconquerable Pride, that plunges me into Distraction. You must know that 19-20th of my Composition is Pride. I must either live a Slave, a Servant; to have no Will of my own, no Sentiments of my own which I may freely declare as such;Mor DIE—perplexing alternative!
    Thomas Chatterton (1752–1770)