In the visual arts, color theory is a body of practical guidance to color mixing and the visual impacts of specific color combination. There are also definitions (or categories) of colors based on the color wheel: primary color, secondary color and tertiary color. Although color theory principles first appeared in the writings of Leone Battista Alberti (c.1435) and the notebooks of Leonardo da Vinci (c.1490), a tradition of "colory theory" began in the 18th century, initially within a partisan controversy around Isaac Newton's theory of color (Opticks, 1704) and the nature of so-called primary colors. From there it developed as an independent artistic tradition with only superficial reference to colorimetry and vision science.
Read more about Color Theory: Color Abstractions, Historical Background, Current Status
Famous quotes containing the words color and/or theory:
“Pockets: What color is a giraffe?
Dallas: Well, mostly yellow.
Pockets: And what’s the color of a New York taxi cab?
Dallas: Mostly yellow.
Pockets: I drove a cab in Brooklyn. I just pretend it’s rush hour in Flatbush and in I go.”
—Leigh Brackett (1915–1978)
“By the “mud-sill” theory it is assumed that labor and education are incompatible; and any practical combination of them impossible. According to that theory, a blind horse upon a tread-mill, is a perfect illustration of what a laborer should be—all the better for being blind, that he could not tread out of place, or kick understandingly.... Free labor insists on universal education.”
—Abraham Lincoln (1809–1865)