Gallery
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Aerial view from south-west shows the vast scale of the building.
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A "Bird's eye view" of the Dom from the east shows the cruciform plan, the proportion of the spires to the building and the radiating buttresses of the east end.
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The west front, showing the details in high resolution
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The south transept façade reveals the taller central space framed by lower aisles, spanned by flying buttresses.
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The exterior of one of the Cathedral's spires
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Inside a spire showing the openwork construction.
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The flying buttresses and pinnacles of the Medieval east end.
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Statue of the Blessed Virgin Mary on the central jamb of the door.
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The main entrance shows the brittle repetitive nature of the 19th century decoration.
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The earlier carving around this entrance is lively.
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Copy of the finials in the square (same size as the two atop the Cathedral)
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A gargoyle under restoration.
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Inside the 19th century roofspace steel girders rise above the stone vaulting.
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Interior of the Medieval east end, showing the extreme height.
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The arcade, gallery and clerestory of the east end showing details of tracery and painted angels on the spandrels.
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This medieval statue of St. Christopher, Patron of Travellers, welcomes visitors to the Cathedral.
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The Crucifix of Bishop Gero, a famous 10th century sculpture, with a modern surround.
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This "swallows' nest" organ was built into the gallery in 1998, to celebrate the cathedral's 750 years.
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Altarpiece of Agolilophus.
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The five windows on the South side were given by Ludwig I of Bavaria.
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Detail of a window showing the patrons of the Cathedral, St. Peter and the Virgin Mary.
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A lightshow in the Cathedral.
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Cologne Cathedral floodlit.
Read more about this topic: Cologne Cathedral
Famous quotes containing the word gallery:
“I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de Medici placed beside a milliners doll.”
—Herman Melville (18191891)
“Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.”
—Henry David Thoreau (18171862)
“To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
—Thomas Henry Huxley (182595)