Gallery
-
Aerial view from south-west shows the vast scale of the building.
-
A "Bird's eye view" of the Dom from the east shows the cruciform plan, the proportion of the spires to the building and the radiating buttresses of the east end.
-
The west front, showing the details in high resolution
-
The south transept façade reveals the taller central space framed by lower aisles, spanned by flying buttresses.
-
The exterior of one of the Cathedral's spires
-
Inside a spire showing the openwork construction.
-
The flying buttresses and pinnacles of the Medieval east end.
-
Statue of the Blessed Virgin Mary on the central jamb of the door.
-
The main entrance shows the brittle repetitive nature of the 19th century decoration.
-
The earlier carving around this entrance is lively.
-
Copy of the finials in the square (same size as the two atop the Cathedral)
-
A gargoyle under restoration.
-
Inside the 19th century roofspace steel girders rise above the stone vaulting.
-
Interior of the Medieval east end, showing the extreme height.
-
The arcade, gallery and clerestory of the east end showing details of tracery and painted angels on the spandrels.
-
This medieval statue of St. Christopher, Patron of Travellers, welcomes visitors to the Cathedral.
-
The Crucifix of Bishop Gero, a famous 10th century sculpture, with a modern surround.
-
This "swallows' nest" organ was built into the gallery in 1998, to celebrate the cathedral's 750 years.
-
Altarpiece of Agolilophus.
-
The five windows on the South side were given by Ludwig I of Bavaria.
-
Detail of a window showing the patrons of the Cathedral, St. Peter and the Virgin Mary.
-
A lightshow in the Cathedral.
-
Cologne Cathedral floodlit.
Read more about this topic: Cologne Cathedral
Famous quotes containing the word gallery:
“It doesnt matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
—Anton Pavlovich Chekhov (18601904)
“I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
—Lewis H. Lapham (b. 1935)
“I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de Medici placed beside a milliners doll.”
—Herman Melville (18191891)