Criticism
In the 1987 and 1988 regional tournaments, College Bowl was accused of recycling questions from previous tournaments, thereby possibly compromising the integrity of results (questions for tournaments need to be new for all teams involved, or certain teams could have a competitive advantage from having heard some questions previously). The 1987 National Tournament, on the Disney Channel, saw additional controversy, as a number of protested matches proved to strain the television format. In addition, the company, especially in the early 1990s, attempted to collect licensing fees based on copyright and trade dress claims from invitational tournaments that employed formats that it claimed were similar to College Bowl, and threatened not to allow schools that failed to pay these fees to compete in College Bowl events. As it was, the company's intellectual property claims were never tested in court and these events along with the growing Internet community of quiz bowl players led to a great increase in teams, tournaments, and formats.
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Famous quotes containing the word criticism:
“A bad short story or novel or poem leaves one comparatively calm because it does not exist, unless it gets a fake prestige through being mistaken for good work. It is essentially negative, it is something that has not come through. But over bad criticism one has a sense of real calamity.”
—Rebecca West (1892–1983)
“...I wasn’t at all prepared for the avalanche of criticism that overwhelmed me. You would have thought I had murdered someone, and perhaps I had, but only to give her successor a chance to live. It was a very sad business indeed to be made to feel that my success depended solely, or at least in large part, on a head of hair.”
—Mary Pickford (1893–1979)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)