Criticism
In the 1987 and 1988 regional tournaments, College Bowl was accused of recycling questions from previous tournaments, thereby possibly compromising the integrity of results (questions for tournaments need to be new for all teams involved, or certain teams could have a competitive advantage from having heard some questions previously). The 1987 National Tournament, on the Disney Channel, saw additional controversy, as a number of protested matches proved to strain the television format. In addition, the company, especially in the early 1990s, attempted to collect licensing fees based on copyright and trade dress claims from invitational tournaments that employed formats that it claimed were similar to College Bowl, and threatened not to allow schools that failed to pay these fees to compete in College Bowl events. As it was, the company's intellectual property claims were never tested in court and these events along with the growing Internet community of quiz bowl players led to a great increase in teams, tournaments, and formats.
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Famous quotes containing the word criticism:
“The aim of all commentary on art now should be to make works of art—and, by analogy, our own experience—more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.”
—Susan Sontag (b. 1933)
“To be just, that is to say, to justify its existence, criticism should be partial, passionate and political, that is to say, written from an exclusive point of view, but a point of view that opens up the widest horizons.”
—Charles Baudelaire (1821–1867)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)