Career
Atwood began her career as a fashion advisor in Washington State in the early 1970s. She moved to New York in 1980, where she studied art at New York University. Her movie career started after a chance encounter with someone whose mother was designing the sets for the film Ragtime, and she got the job of a PA (production assistant) in the film. She worked as an assistant to a costume designer and eventually earned her first film credit for A Little Sex, directed by Bruce Paltrow.
Eventually Atwood ventured into the world of costume design for theater and film, initially coming to fame through her work on Sting's Bring on the Night World Tour, also made into a documentary by the same name. An important turning point in her career came when, through the production designer with whom she had worked in Joe Vs. The Volcano, she met director Tim Burton. Atwood and Burton worked together on over seven films in the next two decades, starting with Edward Scissorhands and including Sleepy Hollow, Ed Wood, Big Fish, Planet of the Apes, and Sweeney Todd. She moved to Los Angeles in 1990.
Atwood has been partially involved in developing or has been the lead designer for producing the costumes on over 50 films to date. She was the lead costume designer for all the new costumes created for Ringling Bros. and Barnum & Bailey Circus in 2005-2006. She also designed The Black Parade band uniforms for the band My Chemical Romance, as well as costumes for the following album, Danger Days: The True Lives of the Fabulous Killjoys.
Read more about this topic: Colleen Atwood
Famous quotes containing the word career:
“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)