Post World War II Film Career
After demobilisation in 1945 Colin married, Patricia Hambro Lyon, whom he had met during the war, and returned to his native New Zealand for the first time since 1933. He soon tired of life in New Zealand and returned to Hollywood to re-establish his film career. Legendary American film director and Academy Award-winning film producer Cecil B. DeMille personally gave him a role in his new film, Samson and Delilah, which Colin accepted, playing the part of a prince. Shortly after finishing Samson and Delilah Colin and Patsy, finding that Hollywood had changed for the worse, returned to England. Due to Colin's upper class accent he found no trouble finding work in the film industry; it was also the boom period of British war films in the '50s and '60s and he landed the role of a lifetime, the revered war epic The Dam Busters film of 1955 where along side Michael Redgrave he played William Glanville who helped to develop the famous bouncing bomb. From 1954 to 1958, he appeared as a police inspector named Parker, working with his good friend Donald Gray, in the detective television series The Vise (later known as Saber of London). He was subsequently typecast and would play a police officer in many of his later films. His acting career ended in 1983, at the age of 74, and he retired to Coates, Gloucestershire with his wife Patsie.
Read more about this topic: Colin Tapley
Famous quotes containing the words post, world, war, film and/or career:
“To the old saying that man built the house but woman made of it a “home” might be added the modern supplement that woman accepted cooking as a chore but man has made of it a recreation.”
—Emily Post (1873–1960)
“Those of us who are in this world to educate—to care for—young children have a special calling: a calling that has very little to do with the collection of expensive possessions but has a lot to do with the worth inside of heads and hearts. In fact, that’s our domain: the heads and hearts of the next generation, the thoughts and feelings of the future.”
—Fred M. Rogers, U.S. writer and host of Mr. Rogers Neighborhood. “That Which is Essential Is Invisible to the Eye,” Young Children (July 1994)
“Superstition, bigotry and prejudice, ghosts though they are, cling tenaciously to life; they are shades armed with tooth and claw. They must be grappled with unceasingly, for it is a fateful part of human destiny that it is condemned to wage perpetual war against ghosts. A shade is not easily taken by the throat and destroyed.”
—Victor Hugo (1802–1885)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)
“From a hasty glance through the various tests I figure it out that I would be classified in Group B, indicating “Low Average Ability,” reserved usually for those just learning to speak the English Language and preparing for a career of holding a spike while another man hits it.”
—Robert Benchley (1889–1945)