Writing Career
Barker is an author of contemporary horror/fantasy, writing in the horror genre early in his career, mostly in the form of short stories (collected in Books of Blood 1 – 6), and the Faustian novel The Damnation Game (1985). Later he moved towards modern-day fantasy and urban fantasy with horror elements in Weaveworld (1987), The Great and Secret Show (1989), the world-spanning Imajica (1991) and Sacrament (1996), bringing in the deeper, richer concepts of reality, the nature of the mind and dreams, and the power of words and memories.
Barker's distinctive style is characterized by the notion of hidden fantastical worlds coexisting with our own, the role of sexuality in the supernatural and the construction of coherent, complex and detailed universes. Barker has referred to this style as "dark fantasy" or the "fantastique". His stories are notable for a deliberate blurring of the distinction between binary opposites such as hell and heaven, or pleasure and pain (the latter particularly so in The Hellbound Heart).
When the Books of Blood were first published in the United States in paperback, Stephen King was quoted on the book covers: "I have seen the future of horror, his name is Clive Barker." Critical studies of Barker's work include Clive Barker's Short Stories (1994) by Gary Hoppenstand and an essay in S. T. Joshi's The Modern Weird Tale (2001). As influences on his writing, Barker lists Herman Melville, Edgar Allan Poe, Ray Bradbury, William S. Burroughs, William Blake, and Jean Cocteau, among others.
He is also the writer of the best-selling Abarat series, and plans on producing two more novels in the series.
Barker's basic philosophy and approach are revealed in his foreword to H.R. Giger's illustrated work, "Necronomicon."
Read more about this topic: Clive Barker
Famous quotes containing the words writing and/or career:
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“I restore myself when I’m alone. A career is born in public—talent in privacy.”
—Marilyn Monroe (1926–1962)