Other Views
Among the most active members of the German resistance and one of its few survivors, Hans Bernd Gisevius portrays Colonel Stauffenberg, whom he met in July 1944, as a man driven by reasons which had little to do with Christian ideals or repugnance of Nazi ideology. In his autobiographical Bis zum bitteren Ende, "To the Bitter End", Gisevius writes:
Stauffenberg wanted to retain all the totalitarian, militaristic and socialistic elements of National Socialism (p. 504). What he had in mind was the salvation of Germany by military men who could break with corruption and maladministration, who would provide an orderly military government and would inspire the people to make one last great effort. Reduced to a formula, he wanted the nation to remain soldierly and become socialistic (p. 503).Stauffenberg, was motivated by the impulsive passions of the disillusioned military man whose eyes had been opened by the defeat of German arms (p. 510). Stauffenberg had shifted to the rebel side only after Stalingrad (p. 512).
The difference between Stauffenberg, Helldorf and Schulenberg — all of them counts — was that Helldorf had come to the Nazi Movement as a primitive, I might almost say an unpolitical revolutionary. The other two had been attracted primarily by a political ideology. Therefore, it was possible for Helldorf to throw everything overboard at once: Hitler, the Party, the entire system. Stauffenberg, Schulenberg and their clique wanted to drop no more ballast than was absolutely necessary; then they would paint the ship of state a military gray and set it afloat again (p. 513–514).Richard J. Evans, Regius Professor of Modern History at Cambridge University, wrote three books on Third Reich, and covers various aspects of Stauffenberg's beliefs and philosophy. He wrote an article originally published in Süddeutsche Zeitung, 23 January 2009 entitled "Why did Stauffenberg plant the bomb?" which states, "Was it because Hitler was losing the war? Was it to put an end to the mass murder of the Jews. Or was it to save Germany's honour? The overwhelming support, toleration, or silent acquiescence" from the people of his country for Hitler, that was also being heavily censored and constantly fed propaganda meant any action must be swift and successful. Evans writes, "Had Stauffenberg's bomb succeeded in killing Hitler, it is unlikely that the military coup planned to follow it would have moved the leading conspirators smoothly into power."
However, Karl Heinz Bohrer, a cultural critic, literary scholar, publisher, and visiting professor for German and Comparative Studies at Stanford University, criticized Evans' views in an article originally published in the Süddeutsche Zeitung, January 30, 2010. Although agreeing that Evans is historically correct in much of his writing, Bohrer feels that Evans twists time lines and misrepresents certain aspects. He wrote of Evans, "In the course of his problematic argument he walks into two traps: 1. by contesting Stauffenberg's "moral motivation"; 2. by contesting Stauffenberg's suitability as role model." He further writes, "If then, as Evans notes with initial objectivity, Stauffenberg had a strong moral imperative – whether this stemmed from an aristocratic code of honour, Catholic doctrine or Romantic poetry – then this also underpinned his initial affinity for National Socialism which Stauffenberg misinterpreted as 'spiritual renewal.' "
In 1980, the German government established a memorial for the failed anti-Nazi resistance movement in a part of the Bendlerblock, the remainder of which currently houses the Berlin offices of the German Ministry of Defense (whose main offices remain in Bonn). The Bendlerstrasse was renamed the Stauffenbergstrasse, and the Bendlerblock now houses the Memorial to the German Resistance, a permanent exhibition with more than 5,000 photographs and documents showing the various resistance organizations at work during the Hitler era. The courtyard where the officers were shot on 21 July 1944 is now a memorial site, with a plaque commemorating the events and a bronze figure of a young man with his hands symbolically bound which resembles Count von Stauffenberg.
Read more about this topic: Claus Von Stauffenberg
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