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Performed by Giorgi Latsabidze
Debussy: Préludes, Book 2: II. Feuilles Mortes
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Performed by Giorgi Latsabidze
Debussy: Préludes, Book 2: III. La Puerta Del Vino
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Performed by Giorgi Latsabidze
Debussy: Préludes, Book 2: IV. 'Les Fées Sont D'Exquises Danseuses'
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Performed by Giorgi Latsabidze
Debussy: Préludes, Book 2: V. Bruyères
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Performed by Giorgi Latsabidze
Debussy: Préludes, Book 2: VI. 'General Lavine'—Excentric
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Performed by Giorgi Latsabidze
Debussy: Préludes, Book 2: VII. La Terrasse Des Audiences Du Clair De Lune
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Performed by Giorgi Latsabidze
Debussy: Préludes, Book 2: VIII. Ondine
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Performed by Giorgi Latsabidze
Debussy: Préludes, Book 2: IX. Hommage À S. Pickwick, Esq., P.P.M.P.C.
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Performed by Giorgi Latsabidze
Debussy: Préludes, Book 2: X. Canope
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Performed by Giorgi Latsabidze
Debussy: Préludes, Book 2: XI. Les Tierces Alternées
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Performed by Giorgi Latsabidze
Debussy: Préludes, Book 2: XII. Feux D'Artifice
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Performed by Giorgi Latsabidze
Clair de lune from Suite Bergamasque
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Performed by Robin Alciatore. Courtesy of Musopen
Mazurka
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("Mazurka")
Quand j'ai ouy le tambourin
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(2.4 Mb)
Dieu qu'il la fait bon regarder
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(1.5 Mb)
Dieu qu'il la fait bon regarder
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(1.9 Mb)
Quand j'ai ouy le tabourin sonner
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(1.9 Mb)
Yver vous n'estes qu'un vilain
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(1.6 Mb)
Beau Soir
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La Plus que Lente
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Arranged by J. Kowalewski, performed by the Advent Chamber Orchestra
Le Petit Negre
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Arranged by Anne DeBlois, performed by the Advent Chamber Orchestra
Syrinx
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Performed by Sarah Bassingthwaite
Debussy: La plus que lente
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Performed March 2009
Danse Sacrée
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Performed by the United States Marine Corps Chamber Orchestra. Chamber orchestra arrangement of the Chamber music piece scored for string quintet.
Danse Profane
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Performed by the United States Marine Corps Chamber Orchestra. Chamber orchestra arrangement of the Chamber music piece scored for string quintet.
“Never before has a generation of parents faced such awesome competition with the mass media for their children’s attention. While parents tout the virtues of premarital virginity, drug-free living, nonviolent resolution of social conflict, or character over physical appearance, their values are daily challenged by television soaps, rock music lyrics, tabloid headlines, and movie scenes extolling the importance of physical appearance and conformity.” —Marianne E. Neifert (20th century)
“Today the discredit of words is very great. Most of the time the media transmit lies. In the face of an intolerable world, words appear to change very little. State power has become congenitally deaf, which is why—but the editorialists forget it—terrorists are reduced to bombs and hijacking.” —John Berger (b. 1926)