Authors of The Silver Age
In his second volume, on the Imperial Period, Teuffel initiated a slight alteration in approach, making it clearer that his terms applied to the Latin and not just to the age, and also changing his dating scheme from years AUC to modern. Although he introduces das silberne Zeitalter der römischen Literatur, "the Silver Age of Roman Literature", 14–117 AD, from the death of Augustus to the death of Trajan, he also mentions regarding a section of a work by Seneca the Elder a wenig Einfluss der silbernen Latinität, a "slight influence of silver Latin." It is clear that he had shifted in thought from golden and silver ages to golden and silver Latin, and not just Latin, but Latinitas, which must at this point be interpreted as classical Latin. He may have been influenced in that regard by one of his sources, E. Opitz, who in 1852 had published a title specimen lexilogiae argenteae latinitatis, mentioning silver Latinity. Although Teuffel's First Period was equivalent to Old Latin and his Second Period was equal to the Golden Age, his Third Period, die römische Kaiserheit, encompasses both the Silver Age and the centuries now termed Late Latin, in which the forms seemed to break loose from their foundation and float freely; that is, literary men appeared uncertain as to what "good Latin" should mean. The last of the Classical Latin is the Silver Latin. The Silver Age is the first of the Imperial Period and is divided into die Zeit der julischen Dynastie, 14–68; die Zeit der flavischen Dynastie, 69–96; and die Zeit des Nerva und Trajan, 96–117. Subsequently Teuffel goes over to a century scheme: 2nd, 3rd, etc., through 6th. His later editions (which came out in the rest of the late 19th century) divide the Imperial Age into parts: the 1st century (Silver Age), the 2nd century: Hadrian and the Antonines and the 3rd through the 6th Centuries. Of the Silver Age proper, pointing out that anything like freedom of speech had vanished with Tiberius, Teuffel says
…the continual apprehension in which men lived caused a restless versatility… Simple or natural composition was considered insipid; the aim of language was to be brilliant… Hence it was dressed up with abundant tinsel of epigrams, rhetorical figures and poetical terms… Mannerism supplanted style, and bombastic pathos took the place of quiet power.The content of new literary works was continually proscribed by the emperor (by executing or exiling the author), who also played the role of literary man (typically badly). The talent therefore went into a repertory of new and dazzling mannerisms, which Teuffel calls "utter unreality." Crutwell picks up this theme:
The foremost of these is unreality, arising from the extinction of freedom… Hence arose a declamatory tone, which strove by frigid and almost hyterical exaggeration to make up for the healthy stimulus afforded by daily contact with affairs. The vein of artificial rhetoric, antithesis and epigram… owes its origin to this forced contentment with an uncongenial sphere. With the decay of freedom, taste sank…In Crutwell's view (which had not been expressed by Teuffel), Silver Latin was a "rank, weed-grown garden", a "decline." Cruttwell had already decried what he saw as a loss of spontaneity in Golden Latin. That Teuffel should regard the Silver Age as a loss of natural language and therefore of spontaneity, implying that the Golden Age had it, is passed without comment. Instead, Tiberius brought about a "sudden collapse of letters." The idea of a decline had been dominant in English society since Edward Gibbon's Decline and Fall of the Roman Empire. Once again, Cruttwell evidences some unease with his stock pronouncements: "The Natural History of Pliny shows how much remained to be done in fields of great interest." The idea of Pliny as a model is not consistent with any sort of decline; moreover, Pliny did his best work under emperors at least as tolerant as Augustus had been. To include some of the best writings of the Silver Age, Cruttwell found he had to extend the period through the death of Marcus Aurelius, 180 AD. The philosophic prose of that good emperor was in no way compatible with either Teuffel's view of unnatural language or Cruttwell's depiction of a decline. Having created these constructs, the two philologists found they could not entirely justify them; apparently, in the worst implications of their views, there was no classical Latin by the ancient definition at all and some of the very best writing of any period in world history was a stilted and degenerate unnatural language.
The Silver Age also furnishes the only two extant Latin novels: Apuleius's The Golden Ass and Petronius's Satyricon.
Writers of the Silver Age include:
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