Compositions
As part of the broad musical education given her by her father, Clara Wieck learned to compose, and from childhood to middle age she produced a good body of work. At age fourteen she wrote her piano concerto, with some help from Robert Schumann, and performed it at age sixteen at the Leipzig Gewandhaus with Mendelssohn conducting.
As she grew older, however, she lost confidence in herself as a composer, writing, "I once believed that I possessed creative talent, but I have given up this idea; a woman must not desire to compose — there has never yet been one able to do it. Should I expect to be the one?" In fact, Wieck-Schumann's compositional output decreased notably after she reached the age of thirty-six. The only compositions that exist from later in her life are cadenzas written to two concertos–one by Mozart and the other by Beethoven–and some sketches for a piece that never reached completion. Today her compositions are increasingly performed and recorded. Her works include songs, piano pieces, a piano concerto, a piano trio, choral pieces, and three Romances for violin and piano. Inspired by her husband's birthday, the three Romances were composed in 1853 and dedicated to Joseph Joachim, who performed them for George V of Hanover. He declared them a "marvellous, heavenly pleasure." See: Clara Schumann Piano Music, selected & with introduction by Nancy B. Reich. ISBN 9780486413815.
Wieck-Schumann was the authoritative editor of her husband's works for the publishing firm of Breitkopf & Härtel.
Read more about this topic: Clara Schumann