Production
Civilization was a big budget spectacle from Thomas H. Ince. It was in production for nearly a year and reportedly cost $1,000,000 to make.
The film's screenwriter, C. Gardner Sullivan, said he received the inspiration for the film on Easter Sunday morning in 1915. He wrote an outline on a single piece of typewriter paper, originally calling it "The Mothers of Men." Sullivan showed the outline to Ince, and Ince decided it was worth investing a million dollars.
In April 1916, the Los Angeles Times wrote:
"The next large feature looming on the horizon is the Ince photoplay, 'Civilization' ... It was nearly a year in the making, and is the most pretentious of the Ince features. Many hundreds of persons took part, and it is said that the film contains some of the most beautiful photography ever shown on the screen."
At the time of its release, it was described as "the ultimate achievement of the Ince studios."
The film included large scale battle scenes, scenes of naval battles, trench warfare, aerial battles, and the resulting devastation. Ships from the United States Navy were utilized in the scenes depicting sea battles. Advertising for the film (pictured at right) boasted of the extravagant expense incurred in presenting the spectacle:
"Actual Sinking of an Ocean Liner.
Two Battleships Sunk by United States Navy.
$18,000 Used for Ammunition in One Battle.
40,000 People Employed.
10,000 Horses in Thrilling Cavalry Charges.
40 Aeroplanes in Great Air Battle.
Every Death-dealing Device Known to Modern War in Operation.
One Year in the Making.
Cost $1,000,000.00.
Entire Cities Built and Destroyed.
An Awe-inspiring Spectacle that one minute makes your blood run cold and another thrills you with its touches of human gentleness.
The Story of the Greatest Love of the Ages —- the Love of Humanity."
George Fisher was given the daunting role of playing "The Christ" in Civilization. He was "the first cinema actor to portray Christ for the screen." At the time of the film's release, Fisher told the Los Angeles Times that, to get in the proper mood for the role, "he lived the life of a recluse, spending his time in study and meditation." He expressed his hope that the film's message would be heard:
"I can say in truth that the playing of this part has affected my whole life and the impressions will never leave me. I have tried earnestly and sincerely, with a deep prayer in my heart, to bring a message to the world, one which will reach, perhaps, millions. Now my only wish is that whoever may witness the performances of 'Civilization' will realize only the truth and beauty of the message."
Read more about this topic: Civilization (film)
Famous quotes containing the word production:
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (18441900)
“[T]he asphaltum contains an exactly requisite amount of sulphides for production of rubber tires. This brown material also contains ichthyol, a medicinal preparation used externally, in Websters clarifying phrase, as an alterant and discutient.”
—State of Utah, U.S. public relief program (1935-1943)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. The Limits of the Novel and the Limits of the Film, Novels Into Film, Johns Hopkins Press (1957)