Features
Citi Field has a capacity of 41,922. It has over 15,000 fewer seats than Shea Stadium. All the seats in the park are green - in an homage to the Polo Grounds, longtime home of the baseball Giants and the original home of the Mets - as opposed to Shea's orange, blue, red and green assortment. The exterior facade is reminiscent of Ebbets Field (which was long sought by Mets owner Fred Wilpon, a Brooklyn native).
Citi Field's interior design is primarily influenced by PNC Park, which was the favorite ballpark of Mets COO Jeff Wilpon. Other influences include Great American Ball Park, Coors Field and Citizens Bank Park. Shea Stadium was the only ballpark in the Major Leagues to feature orange foul poles instead of the standard yellow, a unique characteristic that made its way into Citi Field.
Citi Field features an overarching bridge motif in its architecture, as New York City is linked by 2,027 bridges and is reflected in the Mets logo, as the team is the symbolic bridge to past National League teams like the New York Giants and the Brooklyn Dodgers. In the outfield section of the ballpark, there is a pedestrian bridge named Shea Bridge which resembles the Hell Gate Bridge.
Similar to Shea Stadium, Citi Field's field dimensions make it a pitcher friendly park. The Pepsi Porch hangs over the field in right field, extending far beyond the indentation of the Modell's Clubhouse and is inspired by Tiger Stadium's right field porch. The Pepsi sign is modeled after the one alongside the East River in Gantry Plaza State Park.
In 2012 The Mets added the Party City Party Deck in Left Field. They made this because they moved the fences in in 2012. The Party Deck is very similar to The Royals Pepsi Party Porch.
Delta Air Lines signed a multiyear deal on September 15, 2008, to sponsor an exclusive section in Citi Field. The Delta Sky360 Club is a 22,500-square-foot (2,090 m2) restaurant-cafe-bar-lounge complex that also houses 1,600 premium seats behind home plate stretching from dugout to dugout.
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Famous quotes containing the word features:
“It is a tribute to the peculiar horror of contemporary life that it makes the worst features of earlier times—the stupefaction of the masses, the obsessed and driven lives of the bourgeoisie—seem attractive by comparison.”
—Christopher Lasch (b. 1932)
“Art is the child of Nature; yes,
Her darling child, in whom we trace
The features of the mother’s face,
Her aspect and her attitude.”
—Henry Wadsworth Longfellow (1807–1882)
“All visible objects, man, are but as pasteboard masks. But in each event—in the living act, the undoubted deed—there, some unknown but still reasoning thing puts forth the mouldings of its features from behind the unreasoning mask. If man will strike, strike through the mask!”
—Herman Melville (1819–1891)