Cinema of The Netherlands - Successful Dutch Films

Successful Dutch Films

As of 24 November 2008 (2008 -11-24), the top-15 most visited Dutch films since 1945 were:

  1. Turks Fruit (Turkish Delight, 1973) - 3,328,804
  2. Fanfare (1958) - 2,635,178
  3. Ciske de Rat (1955) - 2,432,500
  4. Wat zien ik? (Business Is Business, 1971) - 2,358,946
  5. Blue Movie (nl) (1971) - 2,335,301
  6. Flodder (1986) - 2,313,701
  7. Achtste Groepers Huilen Niet (2012) - 1,959,000
  8. Gooische Vrouwen (2011) - 1,919,982
  9. Keetje Tippel (Katie Tippel, 1975) - 1,829,116
  10. Alleman (1963) - 1,664,645
  11. Ciske de Rat (1984) - 1,593,311
  12. Soldaat van Oranje (Soldier of Orange, 1977) - 1,547,183
  13. Flodder in Amerika (1992) - 1,493,873
  14. De Overval (The Silent Raid, 1962) - 1,474,306
  15. Alles is Liefde (Love Is All, 2007) 1,292,682
  16. Een Koninkrijk voor een Huis (A Kingdom For a House, 1949) 1,291,728

Read more about this topic:  Cinema Of The Netherlands

Famous quotes containing the words successful, dutch and/or films:

    However backwards the world has been in former ages in the discovery of such points as GOD never meant us to know,—we have been more successful in our own days:Mthousands can trace out now the impressions of this divine intercourse in themselves, from the first moment they received it, and with such distinct intelligence of its progress and workings, as to require no evidence of its truth.
    Laurence Sterne (1713–1768)

    The French courage proceeds from vanity—the German from phlegm—the Turkish from fanaticism & opium—the Spanish from pride—the English from coolness—the Dutch from obstinacy—the Russian from insensibility—but the Italian from anger.
    George Gordon Noel Byron (1788–1824)

    Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.
    David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)