Pink Neorealism and Comedy
It has been said that after Umberto D. nothing more could be added to neorealism. Possibly because of this, neorealism effectively ended with that film; subsequent works turned toward lighter atmospheres, perhaps more coherent with the improving conditions of the country, and this genre has been called pink neorealism. This trend allowed better-"equipped" actresses to become real celebrities, such as Sophia Loren, Gina Lollobrigida, Silvana Pampanini, Lucia Bosé, Barbara Bouchet, Eleonora Rossi Drago, Silvana Mangano, Claudia Cardinale, and Stefania Sandrelli. Soon pink neorealism was replaced by the Commedia all'italiana, a unique genre that, born on an ideally humouristic line, talked instead very seriously about important social themes.
At this time, on the more commercial side of production, the phenomenon of Totò, a Neapolitan actor who is acclaimed as the major Italian comic, exploded. His films (often with Peppino De Filippo and almost always with Mario Castellani) expressed a sort of neorealistic satire, in the means of a guitto (a "hammy" actor) as well as with the art of the great dramatic actor he also was. A "film-machine" who produced dozens of titles per year, his repertoire was frequently repeated. His personal story (a prince born in the poorest rione (section of the city) of Naples), his unique twisted face, his special mimic expressions and his gestures, created an inimitable personage and made him one of the most beloved Italians of the 1960s.
Italian Comedy is generally considered to have started with Mario Monicelli's I soliti Ignoti (Big Deal on Madonna Street) and derives its name from the title of Pietro Germi's Divorzio all'Italiana (Divorce Italian Style, 1961). For a long time this definition was used with a derogatory intention.
Vittorio Gassman, Marcello Mastroianni, Ugo Tognazzi, Alberto Sordi, Claudia Cardinale, Monica Vitti and Nino Manfredi were among the stars of these movies, that described the years of the economical reprise and investigated Italian customs, a sort of self-ethnological research.
In 1961 Dino Risi directed Una vita difficile (A Difficult Life), then Il sorpasso (The Easy Life), now a cult-movie, followed by: I Mostri (The Monsters, also known as 15 From Rome), In nome del Popolo Italiano (In the Name of the Italian People) and Profumo di donna (Scent of a Woman).
Monicelli's works include La grande guerra (The Great War), I compagni (Comrades, also known as The Organizer), L'Armata Brancaleone, Vogliamo i colonnelli (We Want the Colonels), Romanzo popolare (Popular Novel) and the Amici miei series.
Read more about this topic: Cinema Of Italy
Famous quotes containing the words pink and/or comedy:
“And I threw a little earth
on the pink coffin
covered by the fake plastic grass
and said O.K., God,
if it’s the end of the world,
it must be necessary.”
—Anne Sexton (1928–1974)
“All I need to make a comedy is a park, a policeman and a pretty girl.”
—Charlie Chaplin (1889–1977)