New Documentary Movement
Two decades of reform and commercialization have brought dramatic social changes in mainland China, reflected not only in fiction film but in a growing documentary movement. Wu Wenguang's 70-minute Bumming in Beijing: The Last Dreamers (1990) is now seen as one of the first work of this "New Documentary Movement" (NDM) in China of China's New Documentary. Bumming, made between 1988 and 1990, contains interviews with five young artists eking out a living in Beijing, subject to state authorized tasks. Shot using a camcorder, the documentary ends with four of the artists moving abroad after the 1989 Tiananmen Protests. Dance with the Farm Workers (2001) is another documentary by Wu.
Another internationally acclaimed documentary is Wang Bing's nine-hour tale of deindustrialization Tie Xi Qu: West of the Tracks (2003). Wang's subsequent documentaries, Fengming: A Chinese Memoir (2007), Crude Oil (2008) and The Ditch (2010), cemented his reputation as a leading documentarist of the movement.
Li Hong, the first woman in the NDM, in Out of Phoenix Bridge (1997) relates the story of four young women, who moving from rural areas to the big cities like millions of other men and women, have come to Beijing to make a living.
The New Documentary Movement in recent times has overlapped with the dGeneration filmmaking, with most documentaries being shot cheaply and independently in the digital format. Huang Weikai's Disorder (2009), Zhao Dayong's Ghost Town (2009), Du Haibing's 1428 (2009), Xu Tong's Fortune Teller (2010), Li Ning’s Tape (2010) and Xu Xin's Karamay (2010) were all shot in digital format. All had made their impact in the international documentary scene and the use of digital format allows for works of vaster lengths.
Read more about this topic: Cinema Of China
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