Chutney Music - Subgenres

Subgenres

The origin of chutney being in the Caribbean has meant that it's been in close contact with different peoples, traditions, and other musical styles since its inception. According to the government of Trinidad and Tobago, roughly 40% of the country's population is of Indian descent, another 40% of African descent, and the remaining 20% composed of a mix of European, Chinese, Middle Eastern, and other ancestry. This has allowed chutney to fuse with other genres and/or implement new instruments into its own style, creating an array of syncretic subgenres including ragga chutney, chutney-bhangra, chutney hip-hop, soca-bhangra, and chutney soca.

Chutney soca is the most notable of these, as it has become virtually indistinguishable from what is considered normal chutney in recent years. Drupatee Ramgoonai coined the term with the release of her album, "Chatnee Soca," in 1987. The style had an emphasis on Hindi lyrics and the beats of the dholak and dhantal. It was further popularized by the 1994 album, "Soca Chutney," by Sonny Mann. It was credited as the best selling Indo-Caribbean album ever, with its title track hitting the top of charts not only in the Caribbean, but in the United States, Canada, and England.

Modern chutney soca, like many chutney subgenres, has incorporated more use of keyboards, drum machines, and other electronic instruments.

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