"Church of the Poison Mind" is a 1983 hit single for the British pop band Culture Club. It was the first single to be released from their second album Colour by Numbers.
The song is characterized partly for its Motown feel; indeed, the opening of "Church of the Poison Mind" sounds similar to Stevie Wonder's hit, "Uptight (Everything's Alright)". The harmonica solo was played by Jud Lander. The subject of the song is an attack on the attitudes of certain churches and faiths on homosexuality.
The song reached #2, being kept off the top spot by David Bowie's "Let's Dance". It was a Top 10 hit in Canada and the United States. In the latter it was still climbing the charts when "Karma Chameleon" was released elsewhere, and subsequently became a huge hit. This prompted Epic Records to release "Karma" ahead of schedule. "Church of the Poison Mind" actually reached its peak position the same week "Karma" debuted on the US charts. In many countries its B-side was the heavily-percussive street song "Man Shake" and in some others, such as the United States, it was the song "Mystery Boy". Both songs were on the 12-inch in many countries, except Canada, where it was issued with an extended version of previous hit "I'll Tumble 4 Ya".
In this single, Helen Terry became famous as the female backup singer with such a powerful voice.
Famous quotes containing the words church of, church, poison and/or mind:
“It is time that the Protestant Church, the Church of the Son, should be one again with the Roman Catholic Church, the Church of the Father. It is time that man shall cease, first to live in the flesh, with joy, and then, unsatisfied, to renounce and to mortify the flesh.”
—D.H. (David Herbert)
“Do you see this egg? With this you can topple every theological theory, every church or temple in the world.”
—Denis Diderot (1713–1784)
“And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy my brothers. And you will know my name is the Lord when I lay my fingers upon thee!”
—Quentin Tarantino, U.S. screenwriter and director, and Roger Avary. Jules (Samuel Jackson)
“There is but one truly serious philosophical problem and that is suicide. Judging whether life is or is not worth living amounts to answering the fundamental question of philosophy. All the rest—whether or not the world has three dimensions, whether the mind has nine or twelve categories—comes afterwards. These are games; one must first answer.”
—Albert Camus (1913–1960)