Christopher Ricks - Works

Works

  • A Dissertation Upon English Typographical Founders and Founderies 1778 by Edward Rowe Mores (1961) editor with Harry Carter
  • Milton's Grand Style (1963)
  • Poems and Critics (1966) anthology
  • The Life and Opinions of Tristram Shandy, Gentleman by Laurence Sterne (1967) editor with Graham Petrie
  • Twentieth Century Views: A. E. Housman (1968) editor
  • Paradise Lost and Paradise Regained by John Milton (1968) editor
  • English Poetry and Prose 1540-1674 (1970) editor
  • English Drama To 1710 (1971) editor
  • The Brownings: Letters and Poetry (1970) editor
  • Tennyson (1972)
  • A Collection of Poems By Alfred Tennyson (1972) editor
  • Selected Criticism of Matthew Arnold (1972) editor
  • Keats and Embarrassment (1974)
  • Geoffrey Hill and the Tongue's Atrocities (1978)
  • The State of the Language (1979) editor with Leonard Michaels, later edition 1990
  • The Force of Poetry (1984) essays
  • The Poems of Tennyson (1987) three volumes, editor
  • The Tennyson Archive (from 1987) editor with Aidan Day, 31 volumes
  • The New Oxford Book of Victorian Verse (1987) editor
  • T. S. Eliot and Prejudice (1988)
  • A. E. Housman: Collected Poems and Selected Prose (1988) editor
  • The Faber Book of America (1992) editor with William L. Vance
  • The Golden Treasury (1991) editor
  • Beckett's Dying Words (1993)
  • Essays in Appreciation (1996)
  • Inventions of the March Hare: Poems, 1909-1917 by T. S. Eliot (1996) editor
  • The Oxford Book of English Verse (1999) editor
  • Allusion to the Poets (2002)
  • Selected Poems of James Henry (2002) editor
  • Reviewery (2003) essays
  • Dylan's Visions of Sin (2003)
  • Decisions And Revisions In T. S. Eliot (2003)
  • Samuel Menashe: Selected Poems (2005) editor
  • True Friendship: Geoffrey Hill, Anthony Hecht and Robert Lowell Under the Sign of Eliot and Pound (2010)

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    “My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.”
    —Hannah More (1745–1833)

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    “The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.”
    —Herman Melville (1819–1891)