Christopher Logue - Works

Works

  • Patrocleia, University of Michigan Press, 1963
  • Ode to the dodo: poems from 1953 to 1978, Cape, 1981, ISBN 978-0-224-01892-0
  • War Music. J. Cape. 1981. ISBN 978-0-224-01534-9. http://books.google.com/books?id=2Rgvo5LOK2EC&printsec=frontcover&dq=Christopher+Logue&hl=en&ei=2ybeTsaiNIOFsgKN2eGtBw&sa=X&oi=book_result&ct=result&resnum=1&ved=0CDAQ6AEwAA#v=onepage&q&f=false.; University of Chicago Press, 2003, ISBN 978-0-226-49190-5
  • Kings: An Account of Books 1 and 2 of Homer's Iliad Farrar, Straus, Giroux, 1991, ISBN 978-0-374-18151-2
  • The Husbands: An Account of Books 3 and 4 of Homer's Iliad Farrar, Straus, and Giroux, 1995, ISBN 978-0-374-17391-3
  • Selected poems, Faber and Faber, 1996, ISBN 978-0-571-17761-5
  • All Day Permanent Red. Macmillan. 2004. ISBN 978-0-374-52929-1. http://books.google.com/books?id=_YJv-lNbBM8C&printsec=frontcover&dq=Christopher+Logue&hl=en&ei=2ybeTsaiNIOFsgKN2eGtBw&sa=X&oi=book_result&ct=result&resnum=3&ved=0CDoQ6AEwAg#v=onepage&q&f=false.
  • Cold calls: war music continued, Volume 1, Faber and Faber, 2005, ISBN 978-0-571-20277-5
Prose
  • Prince Charming: a memoir, Faber and Faber, 1999, ISBN 978-0-571-19768-2; Faber, 2001, ISBN 978-0-571-20361-1
  • Lust. Paris: Ophelia Press. 1959. OCLC 38894237. http://books.google.com/books?id=rhrFfYSc0wYC&printsec=frontcover&dq=inauthor:%22Christopher+Logue%22&hl=en&ei=kC3eTpOUMOn3sQKr9rHOBg&sa=X&oi=book_result&ct=result&resnum=4&ved=0CEEQ6AEwAw#v=onepage&q&f=false.; Olympia Press, 2005, ISBN 978-1-59654-206-8

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Famous quotes containing the word works:

    “That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
    —Lydia M. Child (1802–1880)

    “His works are not to be studied, but read with a swift satisfaction. Their flavor and gust is like what poets tell of the froth of wine, which can only be tasted once and hastily.”
    —Henry David Thoreau (1817–1862)

    “Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.”
    —Raymond Williams (1921–1988)