Books
- Christopher Lee's Treasury of Terror, edited by Russ Jones, illustrated by Mort Drucker & others, Pyramid Books, 1966
- Christopher Lee's New Chamber of Horrors, Souvenir Press, 1974
- Christopher Lee's Archives of Terror, Warner Books, Volume I, 1975; Volume 2, 1976
- Tall, Dark and Gruesome (autobiography), W.H. Allen, 1977 and 1999
- The Hammer Story: The Authorised History of Hammer Films, by Marcus Hearn and Alan Barnes, Titan Books, 1997 and 2007 - Foreword by Christopher Lee
- Christopher Lee: The Authorised Screen History by Jonathan Rigby, Reynolds & Hearn, 2001 and 2003
- The Lord of the Rings: Weapons and Warfare by Chris Smith, HarperCollins, 2003 - Foreword by Christopher Lee
- Lord of Misrule (autobiography, a revised and expanded edition of Tall, Dark and Gruesome), Orion Publishing Group Ltd., 2004
- Dans les griffes de la Hammer by Nicolas Stanzick, Le Bord de l'eau Editions, Paris, 2010.
- Sir Christopher Lee by Laurent Aknin, Nouveau Monde Éditions, Paris, 2011.
- Monsters in the Movies: 100 Years of Cinematic Nightmares, by John Landis, DK Publishing, 2011 - Interview with Christopher Lee
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Famous quotes containing the word books:
“Good books do not make people wiser or happier—only more conscious.”
—Mason Cooley (b. 1927)
“The books one reads in childhood, and perhaps most of all the bad and good bad books, create in one’s mind a sort of false map of the world, a series of fabulous countries into which one can retreat at odd moments throughout the rest of life, and which in some cases can survive a visit to the real countries which they are supposed to represent.”
—George Orwell (1903–1950)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)