Work
His work often deals critically with issues of child abuse, Roman Catholic dogma and culture, and homosexuality.
His plays have been performed nationwide, including on Broadway and Off-Broadway. His works include Sister Mary Ignatius Explains It All For You, Beyond Therapy, Baby With the Bathwater, The Nature and Purpose of the Universe, Titanic, A History of the American Film, The Idiots Karamazov, The Marriage of Bette and Boo, Laughing Wild, 'Dentity Crisis, The Actor's Nightmare, The Vietnamization of New Jersey, Betty's Summer Vacation, Naomi in the Living Room, Adrift in Macao, Mrs. Bob Cratchit's Wild Christmas Binge, Miss Witherspoon, Why Torture is Wrong, and the People Who Love Them, "Vanya and Sonia and Masha and Spike", and a collection of one-act parodies meant to be performed in one evening entitled Durang/Durang that includes "Mrs. Sorken", "For Whom The Southern Belle Tolls" (a parody of The Glass Menagerie by Tennessee Williams), "A Stye Of the Eye", "Nina in the Morning", "Wanda's Visit", and "Business Lunch at the Russian Tea Room".
Durang has performed as an actor for both stage and screen. He first came to prominence in his Off-Broadway satirical review Das Lusitania Songspiel, which he performed with friend and fellow Yale alum Sigourney Weaver. Later he co-starred in one of his own plays as Matt in The Marriage of Bette and Boo.
Read more about this topic: Christopher Durang
Famous quotes containing the word work:
““The work is done,” grown old he thought,
“According to my boyish plan;
Let the fools rage, I swerved in nought,
Something to perfection brought;”
But louder sang that ghost “What then?””
—William Butler Yeats (1865–1939)
“Heaven has its business and earth has its business: those are two separate things. Heaven, that’s the angels’ pasture; they are happy; they don’t have to fret about food and drink. And you can be sure that they have black angels to do the heavy work like laundering the clouds or sweeping the rain and cleaning the sun after a storm, while the white angels sing like nightingales all day long or blow in those little trumpets like they show in the pictures we see in church.”
—Jacques Roumain (1907–1945)
“People run away from the name subsidy. It is a subsidy. I am not afraid to call it so. It is paid for the purpose of giving a merchant marine to the whole country so that the trade of the whole country will be benefitted thereby, and the men running the ships will of course make a reasonable profit.... Unless we have a merchant marine, our navy if called upon for offensive or defensive work is going to be most defective.”
—William Howard Taft (1857–1930)