Last Years
In Vienna Gluck wrote a few more minor works but he generally lived in retirement. In 1781 he brought out a German version of Iphigénie en Tauride and other operas of his enjoyed great popularity in Vienna.
On 15 November 1787, in Vienna, Gluck suffered another stroke and died a few days later. At a formal commemoration on 8 April 1788 his friend and pupil Salieri conducted Gluck's De profundis and a requiem by the Italian composer Niccolò Jommelli was given. Like many other prominent musicians and painters Gluck was buried in the Matzleinsdorfer Friedhof. When this cemetery was turned into a park in 1923, Gluck's remains were transferred to a tomb in the Vienna Zentralfriedhof.
Gluck's musical legacy includes approximately 35 complete full-length operas plus around a dozen shorter operas and operatic introductions, as well as numerous ballets and instrumental works. His reforms influenced Mozart, particularly his opera Idomeneo (1781). Gluck left behind a flourishing school of disciples in Paris, who would dominate the French stage throughout the Revolutionary and Napoleonic period. As well as Salieri, they included Sacchini, Cherubini, Méhul and Spontini. Gluck's greatest French admirer would be Hector Berlioz, whose epic Les Troyens may be seen as the culmination of the Gluckian tradition. Though Gluck wrote no operas in German, his example influenced the German school of opera, particularly Weber and Wagner, whose concept of music drama was not so far removed from Gluck's own.
Read more about this topic: Christoph Willibald Gluck
Famous quotes containing the word years:
“In history as in human life, regret does not bring back a lost moment and a thousand years will not recover something lost in a single hour.”
—Stefan Zweig (18811942)
“Unlike Boswell, whose Journals record a long and unrewarded search for a self, Johnson possessed a formidable one. His life in Londonhe arrived twenty-five years earlier than Boswellturned out to be a long defense of the values of Augustan humanism against the pressures of other possibilities. In contrast to Boswell, Johnson possesses an identity not because he has gone in search of one, but because of his allegiance to a set of assumptions that he regards as objectively true.”
—Jeffrey Hart (b. 1930)