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Christine de Pizan was born in 1364 (Julian Calendar) in Venice. She was the daughter of Tommaso di Benvenuto da Pizzano (Thomas de Pizan; named for the family's origins in the town of Pizzano, south east of Bologna), a physician, court astrologer, and Councillor of the Republic of Venice. Following her birth, Thomas de Pizan accepted an appointment to the court of Charles V of France, as the king’s astrologer, alchemist, and physician. In this atmosphere, de Pizan was able to pursue her intellectual interests. She successfully educated herself by immersing herself in languages, in the rediscovered classics and humanism of the early Renaissance, and in Charles V’s royal archive that housed a vast number of manuscripts. Pizan did not assert her intellectual abilities, or establish her authority as a writer until she was widowed at the age of 24.
She married Etienne du Castel, a royal secretary to the court, at the age of 15. She had three children, a daughter (who went to live at the Dominican Abbey in Poissy in 1397 as a companion to the king's daughter, Marie), a son Jean, and another child who died in childhood. De Pizan's family life was threatened in 1390 when her husband, while in Beauvais on a mission with the king, suddenly died in an epidemic. Following Castel’s death, she was left to support her mother, a niece, and her two children. When she tried to collect money from her husband’s estate, she faced complicated lawsuits regarding the recovery of salary due her husband. In order to support herself and her family, de Pizan turned to writing. By 1393, she was writing love ballads, which caught the attention of wealthy patrons within the court. These patrons were intrigued by the novelty of a female writer and had her compose texts about their romantic exploits. Her output during this period was prolific. Between 1393 and 1412, she composed over 300 ballads, and many more shorter poems.
De Pizan’s participation in a literary quarrel, in 1401–1402, allowed her to move beyond the courtly circles, and ultimately to establish her status as a writer concerned with the position of women in society. During these years, she involved herself in a renowned literary debate, the “Querelle du Roman de la Rose”. She helped to instigate this debate by beginning to question the literary merits of Jean de Meun’s the Romance of the Rose. Written in the 13th century, the Romance of the Rose satirizes the conventions of courtly love while critically depicting women as nothing more than seducers. De Pizan specifically objected to the use of vulgar terms in Jean de Meun’s allegorical poem. She argued that these terms denigrated the proper and natural function of sexuality, and that such language was inappropriate for female characters such as Madame Raison. According to her, noble women did not use such language. Her critique primarily stems from her belief that Jean de Meun was purposely slandering women through the debated text.
The debate itself was extensive and at its end, the principal issue was no longer Jean de Meun’s literary capabilities. The principal issue had shifted to the unjust slander of women within literary texts. This dispute helped to establish de Pizan's reputation as a female intellectual who could assert herself effectively and defend her claims in the male-dominated literary realm. She continued to counter abusive literary treatments of women.
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