Contemporary Christian Music
From the latter half of the 20th century to the present day in Western Christendom—especially in the United States and in other countries with evangelical churches—various genres of music, originally often related to pop rock, have been created under the label of Contemporary Christian Music for home-listening and concert use. It can be divided into several genres and sub-genres, although the dividing lines and relationships between music genres are often subtle, sometimes open to individual interpretation, and occasionally controversial. These genres (sometimes referred to as 'style') like other forms of music may be distinguished by the techniques, the styles, the context and the themes, or geographical origin. Specific sub-genres of CCM may include (but are not limited to): Christian country music, Christian pop, Christian rock, Christian metal, Christian hardcore, Christian punk, Christian alternative rock and Christian hip hop. Called Christian pop or gospel a generalized form, is a musical movement almost new and was now evolved into a day, a large number of musical genres by region that comes in a Christian context This movement appeared as a form of evangelization for the young but this genre is best known and seen in the Evangelical or Protestant proselytizing movements, often using rhythms similar to those in secular music.
Contemporary Christian music is not a musical genre like the other genres. When a song is identified as "Christian" it is done taking into account the lyrics, the song-writers and performers, rather than musical style. Therefore, one can say that contemporary Christian music is diverse, and there are Christian songs that are sung to the rhythm of salsa, reggae, rock, folk, hip-hop or rap, ballads, pop, singer-songwriters and even extreme music such as punk or heavy metal.
Read more about this topic: Christian Music
Famous quotes containing the words contemporary, christian and/or music:
“That nameless and infinitely delicate aroma of inexpressible tenderness and attentiveness which, in every refined and honorable attachment, is contemporary with the courtship, and precedes the final banns and the rite; but which, like the bouquet of the costliest German wines, too often evaporates upon pouring love out to drink, in the disenchanting glasses of the matrimonial days and nights.”
—Herman Melville (1819–1891)
“Tyranny produces two results, exactly opposite in character, and which are symbolized in those two great types of the slave in classical times—Epictetus and Spartacus. The one is hatred with its evil train, the other meekness with its Christian graces.”
—Honoré De Balzac (1799–1850)
“The basic difference between classical music and jazz is that in the former the music is always greater than its performance—Beethoven’s Violin Concerto, for instance, is always greater than its performance—whereas the way jazz is performed is always more important than what is being performed.”
—André Previn (b. 1929)