Chris Sarandon - Career

Career

After graduation, he toured with numerous improv companies and became heavily involved in regional theatre, making his professional debut in The Rose Tattoo in 1965. In 1968, Sarandon moved to New York, where he landed his first television role as Dr. Tom Halverson on The Guiding Light (1969–1973). He appeared in the primetime TV movies The Satan Murders (1974) and Thursday's Game before landing the role of Al Pacino's transsexual wife in Dog Day Afternoon (1975), a performance which earned him nominations for Best New Male Star of the Year at the Golden Globes and the Academy Award for Best Supporting Actor.

Sarandon appeared in The Rothschilds and The Two Gentlemen of Verona on Broadway, as well making regular appearances at numerous Shakespeare and George Bernard Shaw festivals in the United States and Canada. He also appeared in a series of television roles, some of which (such as A Tale of Two Cities in 1980) mirrored his affinity for the classics. He also took roles in horror films opposite the late Margaux Hemingway in the thriller Lipstick (1976) and as a demon in the shocker The Sentinel (1977).

To avoid being type cast as villainous characters, Sarandon took on various roles in the years to come, portraying the title role in the made-for-television movie The Day Christ Died (1980). He received accolades for his portrayal of Sydney Carton in a made for television version of A Tale of Two Cities (1980), co-starred with Dennis Hopper in The Osterman Weekend (1983), which was based on the Robert Ludlum novel of the same name, and co-starred with Goldie Hawn in Protocol (1984). These were followed by another mainstream success as the vampire-next-door in the teen horror film Fright Night (1985).

He is best known in the film industry for his role as Prince Humperdinck in Rob Reiner's 1987 film The Princess Bride, though he also has had supporting parts in some other successful films such as the original Child's Play (1988). In 1992, he played Joseph Curwen/Charles Dexter Ward in The Resurrected. He also provided the voice of Jack Skellington, the main character in Tim Burton's animated Disney film The Nightmare Before Christmas (1993), and has since reprised the role in many other subsequent productions, including the Disney/Square video games Kingdom Hearts and Kingdom Hearts II and the Capcom sequel to the original film, Oogie's Revenge. Sarandon also reprised his role as Jack Skellington for Halloween Screams and the Haunted Mansion Holiday, a three-month overlay of the Haunted Mansion at Disneyland, where Jack and his friends take over the Mansion in an attempt to take over Christmas, much as his character did in the film.

Sarandon would later find work on television again with a recurring role as Dr. Burke on NBC's long-running medical drama ER.

In 1991 he performed on Broadway in the short-lived musical Nick and Nora (based on the Thin Man film) with Joanna Gleason, the daughter of Monty Hall. Sarandon married Gleason in 1994. They have appeared together in a number of films, including Edie & Pen (1996), American Perfekt (1997) and Let the Devil Wear Black (1999). In the 2000s he made guest appearances in quite a few TV series, notably as the Necromancer demon, Armand, in Charmed, and as superior court judge Barry Krumble in six episodes of Judging Amy.

He returned to Broadway in 2006 playing Signor Naccarelli in the six-time Tony award-winning Broadway musical The Light in the Piazza at Lincoln Center. Most recently he appeared in Cyrano de Bergerac as Antoine de Guiche, alongside Kevin Kline, Jennifer Garner and Daniel Sunjata. He is on the Advisory Board for the Greenbrier Valley Theatre in Lewisburg, West Virginia.

Read more about this topic:  Chris Sarandon

Famous quotes containing the word career:

    The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.
    Anna Quindlen (b. 1952)

    The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
    Jessie Bernard (20th century)

    What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.
    Arlie Hochschild (20th century)