Chris Morris (satirist) - Works

Works

  • Various works at BBC Radio Cambridgeshire (1986–1987) (presenter)
  • No Known Cure (July 1987 – March 1990, BBC Radio Bristol) (presenter)
  • Chris Morris (1988–1993, BBC GLR) (presenter)
  • Loose Ends (1989, BBC Radio 4)
  • Up Yer News (1990, BSB)
  • The Chris Morris Christmas Show (25 December 1990, BBC Radio 1)
  • On The Hour (1991–1992, BBC Radio 4) (co-writer, performer)
  • It's Only TV (September 1992, LWT) (unbroadcast pilot)
  • Why Bother? (1994, BBC Radio 3) (performer, editor)
  • The Day Today (1994, BBC 2) (co-writer, performer)
  • The Chris Morris Music Show (1994, BBC Radio 1) (presenter)
  • Brass Eye (1997, Channel 4) (writer, performer)
  • I'm Alan Partridge (1997, BBC 2) (performer, 1 episode)
  • Blue Jam (1997–1999, BBC Radio 1) (writer, director, performer, editor)
  • Big Train (1999, BBC 2) various sketches. (additional director, voice actor (1 sketch))
  • Second Class Male/Time To Go (1999, newspaper column for The Observer)
  • Jam/Jaaaaam (2000, Channel 4) (main writer, director, performer)
  • Brass Eye Special (2001, Channel 4) (writer, performer)
  • The Smokehammer (2002, website)
  • Absolute Atrocity Special (2002, newspaper pullout for The Observer)
  • Bushwhacked (2002)
  • My Wrongs #8245–8249 & 117 (2002, short film) (writer, director, voice of Rothko)
  • Nathan Barley (2005, Channel 4) (writer, director)
  • The IT Crowd (2006–2008, Channel 4) (performer)
  • Stewart Lee's Comedy Vehicle (2009-, BBC 2) (script editor)
  • Four Lions (2009, film) (writer, director)
  • Veep (2012, Television Series) (Director)

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Famous quotes containing the word works:

    “You are always looking for already-felt emotions, just as you like to get an old pair of trousers back from the cleaners, which seem new when you don’t look too closely. Artists are cleaners, don’t let yourself be taken in by them. True modern works of art are made not by artists but quite simply by men.”
    —Francis Picabia (1878–1953)

    “Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.”
    —Josiah Royce (1855–1916)

    “His works are not to be studied, but read with a swift satisfaction. Their flavor and gust is like what poets tell of the froth of wine, which can only be tasted once and hastily.”
    —Henry David Thoreau (1817–1862)