Other Work
Carter has made several brief cameo roles as an actor—first appearing in The X-Files' "Anasazi" as a FBI agent; before portraying a member of a film audience in "Hollywood A.D.", a later episode of the same series. Carter also made a brief appearance in "Three Men and a Smoking Diaper", an episode of The Lone Gunmen.
In 1999, Carter began adapting the comic book series Harsh Realm as a television show, also titled Harsh Realm. Carter's friend and frequent collaborator Daniel Sackheim had optioned the comics for adaptation in 1996. However, when the series first aired on October 8, 1999, the comics' writers Andrew Paquette and James Hudnall were given no writing credits for the work; the two then filed suit against Fox to be credited for their work. Harsh Realm received disappointing viewing figures, and was cancelled after only three episodes had been broadcast.
Two years later, Carter launched a spin-off of The X-Files titled The Lone Gunmen, a comedy series centred on three minor characters from the former series. The Lone Gunmen was cancelled after thirteen episodes, later receiving a coda in the form of a crossover episode with The X-Files. Carter has since been involved with writing and directing the as-yet unreleased film Fencewalker, set to feature Natalie Dormer and Katie Cassidy. In 2011, he began working to develop Unique, a police thriller television series; the project was eventually dropped before completion.
Read more about this topic: Chris Carter (screenwriter)
Famous quotes containing the word work:
“Then, bringing me the joy we feel when wee see a work by our favorite painter which differs from any other that we know, or if we are led before a painting of which we have until then only seen a pencil sketch, if a musical piece heard only on the piano appears before us clothed in the colors of the orchestra, my grandfather called me the [hawthorn] hedge at Tansonville, saying, You who are so fond of hawthorns, look at this pink thorn, isnt it lovely?”
—Marcel Proust (18711922)
“... there is no way of measuring the damage to a society when a whole texture of humanity is kept from realizing its own power, when the woman architect who might have reinvented our cities sits barely literate in a semilegal sweatshop on the Texas- Mexican border, when women who should be founding colleges must work their entire lives as domestics ...”
—Adrienne Rich (b. 1929)