Style
Although it was typically a polyphonic setting, the chorale would be plainly audible. There was sometimes an obbligato line above or below the melody. As an independent genre, the chorale prelude began with the works of Dieterich Buxtehude, 48 of which are listed as extant in New Grove II. Numerous examples also exist from the 19th and 20th centuries, including some by Johannes Brahms and Max Reger. Works in the form continue to be composed in the present day.
Read more about this topic: Chorale Prelude
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“Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germans—forgive me the fact that even Goethe’s prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the “good old time” to which it belongs, and a reflection of German taste at a time when there still was a “German taste”Ma rococo taste in moribus et artibus.”
—Friedrich Nietzsche (1844–1900)
“I would observe to you that what is called style in writing or speaking is formed very early in life while the imagination is warm, and impressions are permanent.”
—Thomas Jefferson (1743–1826)