Plot
Chintakayala Ravi (Venkatesh) works in a bar named Cyber Wave in New York. He is a head waiter; he works with his three friends who also are waiters at the same bar. He has a soft spot for software engineers because he came to the US with the dream of becoming a software pro. Unavoidable circumstances prevented him from reaching that goal.
His mother Seshamamba (Lakskmi) tells everybody in her village in Andhra Pradesh that her son is big software engineer in America. Ravi is hit hard with a sentiment; for the sole reason of not wanting to hurt his mother's feelings, he continues to tell her the sweet lie that he truly is a software engineer in America.
However, problems arise when Seshamamba gets ready to marry her son to Lavanya (Mamta Mohandas),a local village girl, because Lavanya believes Seshamamba when she says that Ravi is a software engineer. So, when Lavanya asks her childhood buddy, Sunitha (Anushka), to enquire about Ravi, the truth comes out that he's a bar waiter. Her family gets angry that Ravi's family lied to them, and when Ravi arrives in the village for betrothal, he is subjected to humiliation. What happens later forms the remaining story. He troubles Sunitha. Later he saves Sunitha and Sunitha understands how a good person Ravi is when he saves her father. She aims a rejoining Ravi & Lavanya. In due course they fall in love with each other and get married.
Read more about this topic: Chintakayala Ravi
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)