Recording The Positions of Pieces
| King | |
| Queen | |
| Rook | |
| Bishop | |
| Knight | |
| Pawn |
Positions are usually shown as diagrams (images), using the symbols shown here for the pieces.
There is also a notation for recording positions in text format, called the Forsyth–Edwards notation (FEN). This is useful for adjourning a game to resume later or for conveying chess problem positions without a diagram. A position can also be recorded by listing the pieces and the square upon which they reside, e.g. White: Ke1, Rd3, etc.
Read more about this topic: Chess Notation
Famous quotes containing the words recording the, recording, positions and/or pieces:
“Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.”
—Jessie Tarbox Beals (1870–1942)
“He shall not die, by G—, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (1713–1768)
“The season developed and matured. Another year’s installment of flowers, leaves, nightingales, thrushes, finches, and such ephemeral creatures, took up their positions where only a year ago others had stood in their place when these were nothing more than germs and inorganic particles. Rays from the sunrise drew forth the buds and stretched them into long stalks, lifted up sap in noiseless streams, opened petals, and sucked out scents in invisible jets and breathings.”
—Thomas Hardy (1840–1928)
“I never had the sense of myself as an accomplished artist, and I always had to work three times as hard as anyone else to make my pieces as good as they could be. I am never completely satisfied. There always seems to be something just beyond my reach.”
—Toshiko Takaezu (b. 1922)