Career
Cherie Johnson (born November 21, 1975 in Pittsburgh, Pennsylvania), is an American actress, author, columnist, executive producer, producer, and writer. She is of African American and Puerto Rican descent. Johnson first rose to fame at age six when she appeared on "Punky Brewster" as the fictional character Cherie, Punky's (Soleil Moon Frye) best friend, the character of which was modeled and named after herself. Punky Brewster was an immediate success among young audiences, and Johnson continued as the fictional Cherie throughout the series' run (1984–1986 on NBC, and 1987–1988 in first-run syndication), as well as voicing her character for the animated version.
In 1992, Johnson was provided her next long-running TV role, when she join the cast of ABC's hit sitcom Family Matters (which he had begun executive producing in 1990). Johnson played Maxine "Max" Johnson, the best friend of Laura Winslow (Kellie Shanygne Williams), appearing in the recurring role until the series' end in 1998.
In addition to her starring roles, she has made guest appearances on The Parkers, and The Proud Family. She has also appeared on the soap opera Days of our Lives. She has produced many films over the past 10 years. In 2009 she wrote, starred and produced the film I Do... I Did! that went straight to DVD distributed by "Image Entertainment' it also got premiered on BET. In 2010 she starred in the films Lights Out, Nobody Smiling and Guardian of Eden. As of 2012 she is currently starring in the romantic drama film Fanaddict "One Blood" - 2013, Crush" - 2013 set to be release sometime in the fall.
Read more about this topic: Cherie Johnson
Famous quotes containing the word career:
“I’ve been in the twilight of my career longer than most people have had their career.”
—Martina Navratilova (b. 1956)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)