Biography
Chen was born in Chongqing. His parents divorced soon after Chen's second younger brother was born, and Chen began working part-time in high school to support his mother. He started as a typist at the municipal office and later as a solo singer at night clubs. He showed early talent in singing and was strongly recommended by his vocal trainer and mentor to join the China Oriental Song and Dance Ensemble (now China National Song and Dance Ensemble) at Beijing in 1995. In 1996, he was admitted to the Beijing Film Academy, where he began taking acting classes.
Chen debuted in the 1999 film National Anthem, and rose to prominence on the 2001 television drama Love in Shanghai. He was nominated for Best Actor from his role in A West Lake Moment at the 2005 Golden Horse Awards, won Best Actor for his role in The Knot at the 2007 Huabiao Film Awards, and won Best Actor for his role in Painted Skin at the 2010 Hundred Flowers Awards.
Apart from acting, Chen is also an established singer. He frequently performs theme songs for his television series and has released three full-length studio albums, winning Most Popular Male Vocalist at the MTV Asia Awards for his second album, Come True Again. To support his third album Mystery&Me, he held his first solo concert in Beijing in February 2010.
Chen has one son.
Read more about this topic: Chen Kun (actor)
Famous quotes containing the word biography:
“Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.”
—Rebecca West [Cicily Isabel Fairfield] (1892–1983)
“In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.”
—Henry David Thoreau (1817–1862)
“As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.”
—Henry David Thoreau (1817–1862)