Popular Culture
In 1930, Chelsea featured in one of the earliest football films, The Great Game. One-time Chelsea centre forward, Jack Cock, who by then was playing for Millwall, was the star of the film and several scenes were shot at Stamford Bridge, including the pitch, the boardroom, and the dressing rooms. It included guest appearances by then-Chelsea players Andrew Wilson, George Mills, and Sam Millington. Owing to the notoriety of the Chelsea Headhunters, a football firm associated with the club, Chelsea have also featured in films about football hooliganism, including 2004's The Football Factory. Chelsea also appear in the Hindi film Jhoom Barabar Jhoom. In April 2011, Montenegrin comedy series Nijesmo mi od juče made an episode in which Chelsea plays against FK Sutjeska Nikšić for qualification of the UEFA Champions League.
Up until the 1950s, the club had a long-running association with the music halls, with their underachievement often providing material for comedians such as George Robey. It culminated in comedian Norman Long's release of a comic song in 1933, ironically titled "On the Day That Chelsea Went and Won the Cup", the lyrics of which describe a series of bizarre and improbable occurrences on the hypothetical day when Chelsea finally won a trophy. The song "Blue is the Colour" was released as a single in the build-up to the 1972 League Cup Final, with all members of Chelsea's first team squad singing; it reached number five in the UK Singles Chart. (The song was later adopted, as an anthem, by the Vancouver Whitecaps in Canada, after being changed to "White is the Colour".) In the build-up to the 1997 FA Cup Final, the song "Blue Day", performed by Suggs and members of the Chelsea squad, reached number 22 in the UK charts. Bryan Adams, a fan of Chelsea, dedicated the song "We're Gonna Win" from the album 18 Til I Die to the club.
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“The press is no substitute for institutions. It is like the beam of a searchlight that moves restlessly about, bringing one episode and then another out of darkness into vision. Men cannot do the work of the world by this light alone. They cannot govern society by episodes, incidents, and eruptions. It is only when they work by a steady light of their own, that the press, when it is turned upon them, reveals a situation intelligible enough for a popular decision.”
—Walter Lippmann (1889–1974)
“Our culture has become something that is completely and utterly in love with its parent. It’s become a notion of boredom that is bought and sold, where nothing will happen except that people will become more and more terrified of tomorrow, because the new continues to look old, and the old will always look cute.”
—Malcolm McLaren (b. 1946)