History
The Chelsea Arts Club was originally located in rooms at no. 181 King's Road. In 1902, the club moved to larger premises at no. 143 Old Church Street. In 1933 the club's premises, which had an acre of garden, were remodeled. The clubhouse includes a snooker room, bedrooms, dining room, former 'ladies bar' turned private party room, and a garden.
From 1908 to 1958 the club held a series of public fancy dress balls at the Albert Hall, latterly on New Year's Eve, which raised funds for artists' charities, but they ceased owing to their notoriety and rowdiness, and private functions with lavish decorations and themes were held at the club instead.
In 1966 the club was redecorated, a new bar was opened, and membership was opened to women artists. Although normally a plain white building, the club exterior is occasionally painted to coincide with a themed event. In 2010 it was painted bright colours with images of circus performers affixed to the exterior, and in 2011 was painted to appear as if it had been bombed in order to coincide with celebrations marking 70 years since the end of The Blitz.
Read more about this topic: Chelsea Arts Club
Famous quotes containing the word history:
“In all history no class has been enfranchised without some selfish motive underlying. If to-day we could prove to Republicans or Democrats that every woman would vote for their party, we should be enfranchised.”
—Carrie Chapman Catt (18591947)
“The thing that struck me forcefully was the feeling of great age about the place. Standing on that old parade ground, which is now a cricket field, I could feel the dead generations crowding me. Here was the oldest settlement of freedmen in the Western world, no doubt. Men who had thrown off the bands of slavery by their own courage and ingenuity. The courage and daring of the Maroons strike like a purple beam across the history of Jamaica.”
—Zora Neale Hurston (18911960)
“The history of modern art is also the history of the progressive loss of arts audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
—Henry Geldzahler (19351994)