Music
Parker's style of composition involved interpolation of original melodies over pre-existing jazz forms and standards, a practice still common in jazz today. Examples include "Ornithology" ("How High The Moon") and "Yardbird Suite", the vocal version of which is called "What Price Love", with lyrics by Parker. The practice was not uncommon prior to bebop; however, it became a signature of the movement as artists began to move away from arranging popular standards and compose their own material.
While tunes such as "Now's The Time," "Billie's Bounce," "Au Privave," "Barbados," "Relaxin' At The Camarillo," "Bloomdido," and "Cool Blues" were based on conventional twelve-bar blues changes, Parker also created a unique version of the 12-bar blues for tunes such as "Blues for Alice", "Laird Baird", and "Si Si". These unique chords are known popularly as "Bird Changes". Like his solos, some of his compositions are characterized by long, complex melodic lines and a minimum of repetition although he did employ the use of repetition in some tunes, most notably "Now's The Time".
Parker contributed greatly to the modern jazz solo, one in which triplets and pick-up notes were used in unorthodox ways to lead into chord tones, affording the soloist with more freedom to use passing tones, which soloists previously avoided. Parker was admired for his unique style of phrasing and innovative use of rhythm. Via his recordings and the popularity of the posthumously published Charlie Parker Omnibook, Parker's uniquely identifiable style dominated jazz for many years to come.
Read more about this topic: Charlie Parker
Famous quotes containing the word music:
“The manner in which Americans consume music has a lot to do with leaving it on their coffee tables, or using it as wallpaper for their lifestyles, like the score of a movieits consumed that way without any regard for how and why its made.”
—Frank Zappa (19401994)
“Let us describe the education of our men.... What then is the education to be? Perhaps we could hardly find a better than that which the experience of the past has already discovered, which consists, I believe, in gymnastic, for the body, and music for the mind.”
—Plato (c. 427347 B.C.)
“We often love to think now of the life of men on beaches,at least in midsummer, when the weather is serene; their sunny lives on the sand, amid the beach-grass and bayberries, their companion a cow, their wealth a jag of driftwood or a few beach plums, and their music the surf and the peep of the beech-bird.”
—Henry David Thoreau (18171862)